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47 ‘rock’. The graph comprises ‘rock,<br />

stone’, and 1490 (‘resemble’) as phonetic<br />

with associated sense taken in one analysis<br />

as ‘absorb, digest’, giving ‘rock mineral to aid<br />

digestion’, and by extension – based on the<br />

later use of saltpeter (Song Dynasty onwards)<br />

– ‘gunpowder’ (Katō). Ogawa, alternatively,<br />

takes the associated sense of here as<br />

‘pointed, sharp’, giving ‘type of mineral with<br />

crystals’, reflecting the naturally-occurrent<br />

state of saltpeter. On a historical note, China<br />

is credited with the first use of gunpowder.<br />

Moreover, by the 10th century it had the most<br />

sophisticated weaponry in the world, including<br />

explosive rockets, land mines, and flamethrowers.<br />

Despite this, they were beaten by<br />

the Mongols in the 13th century. When the<br />

Mongols went on to attempt to invade Japan<br />

in 1274 and 1281 – thwarted on both occasions<br />

by typhoons (kamikaze, ‘divine wind’)<br />

– they took gunpowder-based weaponry,<br />

such as cannon and grenades. It is a profound<br />

mystery in Japanese history as to why the<br />

Japanese did not try to develop their own<br />

gunpowder-based weaponry, for they could<br />

easily have retrieved cannons from sunken<br />

Mongol ships (or, earlier, simply by visiting<br />

China). Instead, they waited until the arrival<br />

of Portuguese in 1543, with cumbersome<br />

arquebuses, which were promptly improved<br />

by the Japanese. KJ1970:608-9; OT1968:712;<br />

SS1984:445; GY2008:1397-8.<br />

Mnemonic: SALTPETER RESEMBLES A STONE<br />

1505<br />

L1<br />

粧<br />

SHŌ<br />

adorn, make-up<br />

12 strokes<br />

KESHŌmake-up<br />

KESHŌHINcosmetics<br />

KESHŌSHITSUpowder room<br />

A post-Shuowen graph, very late. For many<br />

centuries, the underlying word was written<br />

as (CO; see Note below). In the entry<br />

for , the early 17th century Zhengzitong<br />

refers briefly to , but only to dismiss it as<br />

an erroneous popular form. consists of <br />

220 ‘rice’, with (NJK meaning ‘countryside,’<br />

‘level’) as phonetic with associated sense<br />

‘build up, give shape to’, thus ‘rice powder for<br />

1506<br />

詔<br />

SHŌ, mikotonori<br />

imperial edict<br />

L1<br />

12 strokes<br />

SHŌSHOimperial edict<br />

SHŌREIimperial edict<br />

TAISHŌimperial edict<br />

Seal . Has 118 ‘words; speak’, and <br />

1486 (‘summon’) taken in one view as semantic<br />

and phonetic (or just phonetic), meaning<br />

‘call out facing upwards’, and taken to signify<br />

giving shape’, i.e. ‘cosmetic powder’. Traditionally<br />

referred to in Japanese as o-shiroi ‘white<br />

(substance)’. It was not until the 1940s that<br />

gained official status in Japan, being at<br />

that time included for the first time in several<br />

official character lists, including the Tōyō<br />

kanji List of 1946. Note: consists of 37<br />

‘woman’, plus 1488 as phonetic with associated<br />

sense which Tōdō takes as ‘dress to<br />

look slender’, to give overall meaning ‘adorn’.<br />

TA1965:378-80SK1996:1343; SS1984:445;<br />

ZZ1671:v1:306; OT1968:762. We suggest taking<br />

the right hand part as 127 ‘building’<br />

and 64 ‘ground’.<br />

Mnemonic: ADORN EARTHEN FLOOR OF<br />

BUILDING WITH RICE<br />

i] ‘call out and summon others, announce to<br />

inferiors’ (Mizukami), or ii] ‘inform the deities’<br />

(Shirakawa). Ogawa, who takes here as<br />

semantic and phonetic, meaning ‘call out,<br />

call’, giving ‘call over and inform’, notes that<br />

from the Qin Dynasty onwards this graph was<br />

used to refer to edicts issued by the emperor.<br />

Mizukami lists a proposed bronze equivalent.<br />

MS1995:v2:1192-3; SS1984:446; OT1968:925.<br />

Mnemonic: SUMMONED TO HEAR WORDS OF<br />

IMPERIAL EDICT<br />

446 The Remaining 1130 Characters

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