480531170
1480 L1 庶 11 SHO masses, various, illegitimate, all strokes SHOMINthe masses SHOMUgeneral affairs SHOSHIillegitimate child OBI ; bronze ; seal . Analyses diverge. One view (Gu) takes the OBI form as representing a cooking pot over a fire ( 炗 ; see Note below) away from the wind beneath a ‘cliff’, with the top element changing at the seal stage to 127 ‘roof, building’ to represent a simple dwelling, giving ‘cook inside dwelling’. Then, according to Gu, the meaning was successively extended to ‘servant’ and ‘the ordinary people’. Another analysis favors division into 8 ‘fire’ beneath 47 ‘stone, rock’, and takes the latter with the associated sense ‘remove’, to give ‘fumigate and remove harmful insects’ (Ogawa), treating senses such as ‘various’ as loan usage. Alternatively, is analysed as ‘fire’ beneath as phonetic with associated sense ‘put, place’, giving ‘place on top of fire’ (Katō). The objection to this view, it could be argued, is that at the top of this graph there is not , as in , but . Since by the seal stage the top element in was being written as , it was for that reason analysed in Shuowen as ‘roof’. It should be noted, though, that the distinction between and was not always made at the bronze stage (indeed, Mizukami goes so far as to say they were the same at that stage), leaving the possibility that the top element of this graph in bronze may have been erroneously analysed by the Shuowen compiler Xu Shen (or possibly earlier) as ‘(angled) roof; building’. Note: the shape beneath the top element in OBI and some bronze occurrences corresponds to 炗 , which does appear to be a cooking pot over fire. Yupian takes this graph as instead being an old way of writing 129 ‘bright’, but the basis for this is not clear. MS1995:v1:454-5,450-51,v2:932-3; DJ2009:V2:752; GY2008:1295; KJ1970:611-12; OT1968:619. Take the central part as as a pot hanging from a cross-piece. Mnemonic: THE MASSES ALL HAVE HOUSES AND VARIOUS COOKING POTS 1481 L3 緒 14 SHO, CHO, o beginning, cord, connection, clue strokes ISSHOtogether TANSHObeginning hanaoclog thong Seal ; a late graph (Shuowen). Has 29 ‘thread’, and 314 (‘person’) as phonetic with associated sense ‘beginning’, thus ‘beginning of length of thread’; by extension, senses such as ‘connection’ also. OT1968:782; KJ1970:496; GY2008:1351. Mnemonic: PERSON THREADS CORD FROM BEGINNING TO MAKE CONNECTION 1482 如 JO, NYO, gotoku/ki similar, equal L1 6 strokes JOJŌaforementioned NYOJITSUrealism ikaga*how? OBI ; seal . Has 22 ‘mouth; speak’, and 37 (‘woman’) as phonetic with associated sense ‘obedient, submissive’, thus ‘submissive words, submissive’. Commentators are divided over whether to regard senses such as ‘be like’ and ‘as if’ as extended senses or as loan usage based on sound value; the latter seems more likely. MS1995:v1:310-12; KJ1970:551-2; OT1968:166. Mnemonic: WOMEN’S MOUTHS ARE SIMILAR The Remaining 1130 Characters 439
1483 L1 叙 JO describe, confer 9 strokes JOJUTSUdescription JOJŌTEKIlyrical JOKUNconferring honor OBI ; seal ; traditional (also 112 is a variant of , meaning ‘strike, coerce’]). OBI form has 2003 ‘hand’, with 820 (‘excess’, ‘ample’), typically taken as phonetic with associated sense ‘sequence, put in sequence’, giving ‘put in sequence, spread out in order’, and by extension ‘set out (views, etc.), relate’; the seal form replaces with ‘hit; compel, make to do’, still with essentially the same overall sense (‘make to be in order’). Gu, by way of exception, takes not as phonetic but semantic in function, signifying ‘roof’ (regarding original sense of in OBI, relating to roof structure, see 820), thus overall meaning ‘thatch a roof’, and by extension ‘put in order’. ‘Confer’ is probably an extension of sequencing. KJ1970:552; MS1995:v1:574-6; GY2008:891-2; OT1968:155; DJ2009:v1:271. Mnemonic: AMPLE DESCRIPTION OF HAND 1484 徐 JO, omomuro slowly, gradually L1 10 strokes JOJO nislowly JOKŌgoing slowly JOHOwalking slowly 1485 升 SHŌ, masu liquid measure L1 4 strokes masumea measure NISHŌtwo shō ISSHŌBIN1-shō bottle OBI ; seal . Based on OBI forms listed by Mizukami, it seems at that stage and 1766 ‘a measure’ may have been the same graph. If so, differentiation in shape evolved at the bronze stage: OBI forms of both graphs show a scoop or ladle with something (seen Seal . Has 131 ‘road; go’, and 820 (‘excess’) as phonetic with associated sense ‘gentle, slow’, giving ‘go slowly’. Mizukami lists an ancestral OBI equivalent which lacks as determinative. MS1995:v1:484-5; KJ1970:883; OT1968:351. Mnemonic: GO EXCESSIVELY SLOWLY as liquid) in it, and this is retained in bronze for (but not ). The depiction of a ladle scooping up liquid gives the meaning ‘scoop up’. This may have led to extended sense as a unit of liquid measure if the ladle was of standard size, otherwise ‘unit of measure’ (in Japan today, equivalent to 1.8 litres) needs to be seen as a loan use. Katō favors the latter view. MS1995:v1:166-7,590-92; KJ1970:536-7; OT1968:137. Take 35 ‘ten’ and 41 ‘person’. Mnemonic: LIQUID MEASURE ENOUGH FOR TEN PERSONS 1486 召 SHŌ, mesu OBI ; seal . Seal onwards has 22 ‘mouth, summon, partake, L2 speak’, and 198 (‘knife, cut’) as phonetic wear with meaning usually taken as ‘call, invite’, 5 strokes thus ‘call out, summon’. Another meaning (noted by Mizukami) is ‘bend back and face SHŌSHŪsummons, call upwards’, thus ‘face upwards and call out’. The SHŌKANsummons more complex OBI form (in bronze also), is meshitsukaiservant taken to signify orig. ‘wine press made of willow branches’, with ‘call, summon’ a loan us- 440 The Remaining 1130 Characters
- Page 390 and 391: 1309 顧 KO, kaerimiru look back L1
- Page 392 and 393: OBI , bronze ; seal . The bronze fo
- Page 394 and 395: sociated sense ‘hit, strike’, g
- Page 396 and 397: determinatives (540 in total) there
- Page 398 and 399: 1336 L1 慌 KŌ, awateru/tadashii b
- Page 400 and 401: 1344 衡 KŌ, kubiki scales, yoke L
- Page 402 and 403: 1350 L1 豪 14 GŌSHŪAustralia
- Page 404 and 405: ing the head of an insect, with leg
- Page 406 and 407: 1364 L1 懇 17 KON, nengoro na f
- Page 408 and 409: 1372 砕 SAI, kudaku/keru break, sm
- Page 410 and 411: 1379 L1 塞 13 SAI, SOKU, fusagu ob
- Page 412 and 413: 1387 索 SAKU rope, search L1 10 st
- Page 414 and 415: 1394 L1 撮 SATSU, toru, tsumamu pl
- Page 416 and 417: 1402 L2 伺 7 SHI, ukagau visit, se
- Page 418 and 419: 1410 嗣 SHI, tsugu heir, succeed t
- Page 420 and 421: agree that one component is / 42
- Page 422 and 423: (profile) for ‘bed’ with a stro
- Page 424 and 425: 1429 L1 赦 SHA forgiveness 11 stro
- Page 426 and 427: Shirakawa, though, takes as claws o
- Page 428 and 429: first appeared [as independent grap
- Page 430 and 431: 1447 L1 需 JU need, demand 14 stro
- Page 432 and 433: 1454 L1 羞 SHŪ, hajiru be ashamed
- Page 434 and 435: 1461 L1 充 JŪ, ateru, mitasu f
- Page 436 and 437: for ‘uncle younger than one’s p
- Page 438 and 439: flecting the use in Shang times of
- Page 442 and 443: age; this complex form was ousted a
- Page 444 and 445: 1494 L1 宵 SHŌ, yoi evening 10 st
- Page 446 and 447: 1501 L1 掌 SHŌ, tanagokoro con
- Page 448 and 449: 1507 L1 奨 SHŌ urge, encourage 13
- Page 450 and 451: part in ancient China, being seen a
- Page 452 and 453: 1520 L1 縄 JŌ, nawa rope, cord 15
- Page 454 and 455: 1526 拭 SHOKU, nuguu, fuku wipe, s
- Page 456 and 457: 1534 L1 芯 7 SHIN core, padding, w
- Page 458 and 459: eading furu ‘shake’, as also th
- Page 460 and 461: 1546 L1 審 SHIN judge, investig
- Page 462 and 463: overall meaning ‘enjoy union’,
- Page 464 and 465: 1559 L1 帥 SUI commander 9 strokes
- Page 466 and 467: consisting in one view of 1739 ‘
- Page 468 and 469: appears to already provide the mean
- Page 470 and 471: 1578 L1 斉 SEI, hitoshii equal, si
- Page 472 and 473: 1586 L1 斥 SEKI, shirizokeru re
- Page 474 and 475: 1593 籍 SEKI meaning is ‘written
- Page 476 and 477: 1599 扇 SEN, ōgi, aogu fan L1 10
- Page 478 and 479: 1607 箋 SEN paper, letter L1 14 st
- Page 480 and 481: 1613 L1 禅 ZEN Zen, meditation 13
- Page 482 and 483: 1620 措 SO place, dispose L1 11 st
- Page 484 and 485: 1627 双 SŌ, futapair, both L2 4 s
- Page 486 and 487: 1634 L1 曹 SŌ, ZŌ official, c
- Page 488 and 489: 1639 L1 葬 SŌ, hōmuru bury 12 st
1480<br />
L1<br />
<br />
<br />
<br />
庶<br />
11<br />
SHO<br />
masses, various,<br />
illegitimate, all<br />
strokes<br />
SHOMINthe masses<br />
SHOMUgeneral affairs<br />
SHOSHIillegitimate child<br />
OBI ; bronze ; seal . Analyses diverge.<br />
One view (Gu) takes the OBI form as representing<br />
a cooking pot over a fire ( 炗 ; see Note<br />
below) away from the wind beneath a ‘cliff’,<br />
with the top element changing at the seal<br />
stage to 127 ‘roof, building’ to represent<br />
a simple dwelling, giving ‘cook inside dwelling’.<br />
Then, according to Gu, the meaning<br />
was successively extended to ‘servant’ and<br />
‘the ordinary people’. Another analysis favors<br />
division into 8 ‘fire’ beneath 47 ‘stone,<br />
rock’, and takes the latter with the associated<br />
sense ‘remove’, to give ‘fumigate and remove<br />
harmful insects’ (Ogawa), treating senses such<br />
as ‘various’ as loan usage. Alternatively, is<br />
analysed as ‘fire’ beneath as phonetic<br />
with associated sense ‘put, place’, giving ‘place<br />
on top of fire’ (Katō). The objection to this view,<br />
it could be argued, is that at the top of this<br />
graph there is not , as in , but . Since by<br />
the seal stage the top element in was being<br />
written as , it was for that reason analysed in<br />
Shuowen as ‘roof’. It should be noted, though,<br />
that the distinction between and was<br />
not always made at the bronze stage (indeed,<br />
Mizukami goes so far as to say they were the<br />
same at that stage), leaving the possibility<br />
that the top element of this graph in bronze<br />
may have been erroneously analysed by the<br />
Shuowen compiler Xu Shen (or possibly earlier)<br />
as ‘(angled) roof; building’. Note: the shape<br />
beneath the top element in OBI and some<br />
bronze occurrences corresponds to 炗 , which<br />
does appear to be a cooking pot over fire. Yupian<br />
takes this graph as instead being an old way<br />
of writing 129 ‘bright’, but the basis for this<br />
is not clear. MS1995:v1:454-5,450-51,v2:932-3;<br />
DJ2009:V2:752; GY2008:1295; KJ1970:611-12;<br />
OT1968:619. Take the central part as as a pot<br />
hanging from a cross-piece.<br />
Mnemonic: THE MASSES ALL HAVE HOUSES<br />
AND VARIOUS COOKING POTS<br />
1481<br />
L3<br />
<br />
<br />
<br />
緒<br />
14<br />
SHO, CHO, o<br />
beginning, cord,<br />
connection, clue<br />
strokes<br />
ISSHOtogether<br />
TANSHObeginning<br />
hanaoclog thong<br />
Seal ; a late graph (Shuowen). Has 29<br />
‘thread’, and 314 (‘person’) as phonetic with<br />
associated sense ‘beginning’, thus ‘beginning<br />
of length of thread’; by extension, senses such<br />
as ‘connection’ also. OT1968:782; KJ1970:496;<br />
GY2008:1351.<br />
Mnemonic: PERSON THREADS CORD FROM<br />
BEGINNING TO MAKE CONNECTION<br />
1482<br />
如<br />
JO, NYO, gotoku/ki<br />
similar, equal<br />
L1<br />
6 strokes<br />
JOJŌaforementioned<br />
NYOJITSUrealism<br />
ikaga*how?<br />
OBI ; seal . Has 22 ‘mouth; speak’, and<br />
37 (‘woman’) as phonetic with associated<br />
sense ‘obedient, submissive’, thus ‘submissive<br />
words, submissive’. Commentators are divided<br />
over whether to regard senses such as ‘be<br />
like’ and ‘as if’ as extended senses or as loan<br />
usage based on sound value; the latter seems<br />
more likely. MS1995:v1:310-12; KJ1970:551-2;<br />
OT1968:166.<br />
Mnemonic: WOMEN’S MOUTHS ARE<br />
SIMILAR<br />
The Remaining 1130 Characters 439