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1426<br />

嫉<br />

SHITSU, sonemu,<br />

netamu<br />

L1<br />

jealousy, envy<br />

<br />

13 strokes<br />

SHITTOjealousy, envy<br />

SHISSHIjealous eye<br />

sonemibukai envious<br />

Seal ( 㑵 ) . As the entry heading, Shuowen<br />

has what today would generally be regarded<br />

as a graph of more equitable structure than<br />

, consisting of 41 ‘person’, plus 1423<br />

(‘illness’) with associated sense ‘be jealous,<br />

hate’, giving ‘person who is jealous/hates’.<br />

Also, however, Shuowen notes an alternative<br />

form with 37 ‘woman’, i.e. , and over time<br />

this gained currency to the point where it<br />

eclipsed . The favored form of this graph is a<br />

reminder that modern viewpoints and values<br />

are irrelevant to the environment in early<br />

China in which graphs evolved, and possibly<br />

at times may even prove to be a hindrance to<br />

our understanding of the historical realities.<br />

SS1984:388; OT1968:262; DJ2009:v2:659;<br />

GY2008:1672; AS2007:294.<br />

Mnemonic: A WOMAN SO JEALOUS SHE<br />

FALLS ILL<br />

1427<br />

漆<br />

SHITSU, urushi<br />

lacquer, varnish<br />

L1<br />

14 strokes<br />

SHIKKIlacquerware<br />

SHIKKOKUjet black<br />

urushinuri lacquering<br />

Seal . Originally written 桼 depicting droplets<br />

of liquid (lacquer) dripping down from<br />

a tree 73, signifying ‘lacquer tree’ and by<br />

extension ‘lacquer’. According to Katō, /<br />

42 ‘water, liquid’ was added as a determinative<br />

at the seal stage because it was no longer<br />

realized that the lower part of the graph 桼<br />

already included a component indicating<br />

a liquid; note, though, that the entry 桼 in<br />

Shuowen does explain this graph as a pictograph<br />

relating to liquid, meaning ‘tree sap’. <br />

itself is defined in Shuowen as being a river<br />

name, but this is a later loan use of the graph.<br />

Lacquerware of an extremely high standard<br />

was being produced in China as early as<br />

the Han Dynasty. DJ2009:v3:876,v2:500-01;<br />

MS1995:v2:776-7; GY2008:1755,1202;<br />

KJ1970:178; OT1968:603-4. We suggest taking<br />

as a multi-branched tree.<br />

Mnemonic: EXTRA WATERY LACQUER FROM<br />

A MULTI-BRANCHED TREE<br />

1428<br />

芝<br />

shiba<br />

turf, lawn<br />

L1<br />

6 strokes<br />

shibafu*lawn<br />

shibaishow, drama<br />

shibakariki lawn mower<br />

Seal ; a late graph (Shuowen). Has 53<br />

‘plant, vegetation, grass’, and (‘go’; see<br />

Note below) as phonetic with associated<br />

sense ‘wondrous’, giving ‘wondrous plant’,<br />

referring originally to a type of mushroom<br />

considered to promote longevity. ‘Turf, grass’<br />

is a Japanese-only sense for this graph. Note:<br />

is based on a pictograph. What exactly it<br />

depicted originally (OBI stage) is disputed:<br />

interpretations include that it represented<br />

i] vegetation newly emerged above the<br />

ground, or ii] a foot trying to advance beyond<br />

a demarcating line. Either way, ‘go’ is<br />

taken to be an extended sense; in the case<br />

of ii], initially ‘advance with difficulty’, then<br />

generalized to ‘advance’, go’; apart from ‘go’,<br />

this graph is also used as a convenient way of<br />

writing several grammatical function words.<br />

SS1984:365; MS1995:v1:18-19; GY2008:228.<br />

We suggest taking as a zig-zag path.<br />

Mnemonic: ZIG-ZAG PATH CROSSES GRASSY<br />

LAWN<br />

422 The Remaining 1130 Characters

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