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1387<br />

索<br />

SAKU<br />

rope, search<br />

L1<br />

10 strokes<br />

SAKUINindex<br />

SHISAKUspeculation<br />

TESSAKUcable<br />

Bronze ; seal . OBI occurrences have <br />

2003 ‘hand’, or two hands, with another element<br />

representing plant fibers/threads, giving<br />

‘twist fibers and make rope’; 30 ‘roof, cover’<br />

added at bronze stage suggests the work was<br />

done inside a hut or other such building (Gu).<br />

was borrowed for its sound value in early<br />

Chinese to write another homophonous word<br />

meaning ‘search, enquire into’. KJ1970:438-9;<br />

MS1995:v2:1006-7; AS2007:486,482. Suggest<br />

upper part as roof with cross (i.e. church), and<br />

use ‘threads’ 29.<br />

Mnemonic: SEARCH FOR ROPE AND FIND<br />

THREAD UNDER CHURCH ROOF<br />

1388<br />

<br />

SAKU, su, suppai<br />

vinegar, sour<br />

L1<br />

12 strokes<br />

SAKUSANacetic acid<br />

su no monopickles<br />

suzukepickling<br />

Bronze ; seal . Has 318 ‘wine’ (originally<br />

pictograph of wine jar’), and (‘make’;<br />

see Note below) as phonetic with associated<br />

sense taken as i] ‘purse the lips’, giving ‘sour<br />

wine’ (Ogawa), or ii] ‘accumulate’, giving ‘wine of<br />

increased acidity due to accumulation of time’,<br />

thus ‘sour wine’ (Mizukami). In either interpretation,<br />

‘vinegar’ is an extended sense. Note: setting<br />

aside minor differences in interpretation,<br />

has the original core meaning of cutting into<br />

wood or other material with an instrument such<br />

as an ax, giving ‘make’ as an extended sense<br />

(see also 141). OT1968:1027; MS1995:v2:1348-<br />

9,v1:18-20.<br />

Mnemonic: VINEGAR IS MADE FROM SOUR<br />

WINE<br />

1389<br />

L1<br />

搾<br />

SAKU, shiboru<br />

wring, press<br />

13 strokes<br />

SAKUSHUexploitation<br />

ASSAKUpressure<br />

shiboritoruextract<br />

A graph devised in Japan (kokuji; see Introduction),<br />

not in China itself. Has 34 ‘hand’, and<br />

NJK ‘narrow; press/coerce’ as semantic and<br />

phonetic, giving ‘apply pressure, press’. Since<br />

is a kokuji and by definition was not brought<br />

over from China, the graph as a whole has no<br />

on reading proper to reflect original Chinese<br />

pronunciation, but it has assumed the on reading<br />

of . OT1968:426; GY2008:1147. We suggest<br />

taking the elements as ‘hand’ 34, ‘hole’<br />

860, and ‘make’ (see 141 and 1388).<br />

Mnemonic: MAKE A HOLE BY PRESSING WITH<br />

HAND<br />

1390<br />

錯<br />

SAKU<br />

mix up, confuse<br />

L1<br />

16 strokes<br />

SAKUGOmistake<br />

SAKKAKUillusion<br />

TŌSAKUperversion<br />

Seal ; late graph (Shuowen). Has 16<br />

‘metal’, and 346 ‘formerly, days of old’ as<br />

phonetic with associated sense ‘put on top, pile<br />

up’, thus ‘plate, coat with metal’. TA1965:364-7;<br />

OT1968:1045; KJ1985:633.<br />

Mnemonic: IN OLDEN TIMES METALS WERE<br />

OFTEN MIXED UP<br />

The Remaining 1130 Characters 411

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