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1282<br />

L2<br />

<br />

<br />

<br />

剣<br />

KEN, tsurugi<br />

sword, bayonet<br />

10 strokes<br />

KENDŌkendo<br />

KENBUsword dance<br />

TANKENdagger, dirk<br />

Bronze (); seal ; traditional forms , ,<br />

. This graph occurs in a variety of shapes,<br />

reflecting a range of constituent elements. The<br />

bronze form given here consists of 16 ‘metal’,<br />

with 僉 (see 1280) as phonetic with associated<br />

sense ‘pointed, sharp’, giving ‘sharp pointed<br />

weapon for stabbing’, a definition which might<br />

suggest ‘dagger’, but also encompasses ‘sword’,<br />

which became the predominant meaning. The<br />

seal form also has 僉 , but substitutes /<br />

198 ‘knife, sword, blade’ for . In turn, the<br />

alternative traditional forms and have<br />

variants of 1549 ‘blade’ in place of . Variant<br />

shapes are a very common characteristic of<br />

the Chinese script as used over the centuries<br />

in both China and Japan (see Introduction),<br />

though not so prominent today on account of<br />

script reforms that have taken place in modern<br />

times. The range of earlier forms for is probably<br />

a reflection of the importance of the sword<br />

as a weapon in pre-modern China and Japan.<br />

MS1995:v1:136-7; OT1968:118,110; TA1965:847-<br />

8; SS1984:257. As with 1280, we suggest taking<br />

㑒 as 亼 cover, and as 254 ‘center’.<br />

Mnemonic: TAKE COVER OFF SWORD-LIKE<br />

BAYONET AND AIM FOR CENTER<br />

1283<br />

L1<br />

<br />

<br />

<br />

拳<br />

KEN, GEN, kobushi<br />

fist<br />

10 strokes<br />

KENJŪhand gun, pistol<br />

TEKKENclenched fist<br />

KENTŌboxing<br />

Bronze ; seal ; traditional . Has 34<br />

‘hand’, and (originally, depiction of two<br />

people raising their hands together to lift up<br />

an object; traditional form of 2047 ‘give’),<br />

generally treated here as phonetic (though<br />

1284<br />

軒<br />

KEN, noki<br />

eaves, house-counter<br />

L2<br />

10 strokes<br />

IKKENone house<br />

KENTŌporch light<br />

nokisakifrontage<br />

Seal ; a late graph (Shuowen). Has 33<br />

‘vehicle’, and 840 (originally, type of forked<br />

weapon; now ‘dry’) as phonetic with associated<br />

sense taken in one analysis as ‘stick out,<br />

project’, giving ‘cart/carriage with projecting<br />

shafts’, with the semantic range being ex-<br />

could instead be regarded as semantic and<br />

phonetic) with associated sense ‘lift up’, giving<br />

‘lift up high, raise’. Meanings such as ‘perform’<br />

and ‘together’ are extended senses. The modern<br />

form has , which is just an abbreviation<br />

in shape and not to be taken as meaning<br />

‘handle rice’ such as in 688. KJ1970:268;<br />

OT1968:411,835; MS1995:v1:562-3,v2:1359-61.<br />

As with 688 we suggest taking as ‘two’ <br />

65 and ‘fires’ 8.<br />

Mnemonic: MAN CLENCHES HANDS INTO<br />

FISTS AS TWO FIRES RAGE<br />

tended to other things which project, such<br />

as eaves (Ogawa). Another analysis treats <br />

as phonetic with associated sense ‘put/rise<br />

high up’, giving carriage shafts which curve up<br />

high (Tōdō); Tōdō notes that from Han times<br />

onwards was used mainly to mean ‘eaves’.<br />

Alternatively, this graph is taken to refer<br />

originally to a covered carriage used by those<br />

of higher status (Gu); presumably the cover<br />

projected over. OT1968:981; TA1965:583-8;<br />

GY2008:413.<br />

Mnemonic: VEHICLE KEPT DRY UNDER EAVES<br />

The Remaining 1130 Characters 381

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