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1207<br />

L1<br />

嗅<br />

KYŪ, kagu<br />

smell, sniff, scent<br />

13 strokes<br />

KYŪKAKUsense of smell<br />

kagitabako*snuff<br />

kagidasusniff/ferret out<br />

Seal form (post-Shuowen) . This graph was<br />

originally written 399 ‘nose’, with 1452<br />

‘smell, odor’, giving overall meaning ‘smell’<br />

(verb), this being based on dogs being wellknown<br />

for their keen sense of smell. Subsequently<br />

(Six Dynasties period [220-589AD]<br />

onwards), 22 ‘mouth’ was sometimes used as<br />

determinative in place of , giving , which<br />

1208<br />

窮<br />

KYŪ, kiwameru/maru<br />

extreme, suffer<br />

L1<br />

15 strokes<br />

KYŪKYOKUextremity<br />

KYŪKUTSUconstraint<br />

KYŪBŌpoverty<br />

Seal ( ) . Interpretations diverge. Has <br />

860 ‘cave, hole’, and NJK ‘body’; at the clerical<br />

script stage, we find as an alternative form<br />

(also NJK), and this latter appears to have later<br />

gained ascendancy over . One analysis takes<br />

/ as phonetic with associated sense ‘bend<br />

the body over’, giving ‘bend over and enter<br />

1209<br />

巨<br />

KYO<br />

huge, giant<br />

L2<br />

5 strokes<br />

KYOJINgiant<br />

KYODAI namassive<br />

KYOHIhuge expense<br />

OBI ; bronze form A ; bronze form B ;<br />

seal . Interpretations diverge. One view takes<br />

it to originally depict the hole in an ax handle<br />

that is made for the axhead to fit into (Katō);<br />

the bronze form A shown is supportive of this<br />

view, perhaps indicating the point for the hole<br />

on an ax handle. Some of the bronze equivalents<br />

listed by Mizukami and Shirakawa, though<br />

(such as bronze form B), appear to depict<br />

something quite different: many of them show<br />

has come to predominate. In standard modern<br />

Japanese usage, the semantically transparent<br />

component 19 ‘dog’ here has been retained,<br />

but note that in 1452 ‘smell, odor’ when<br />

used as an independent graph, standard usage<br />

still favors the semantically opaque 56 ‘big’<br />

as lower element due to earlier script simplification.<br />

SS1984:177; GY2008:1082; OT1968:192. We<br />

suggest taking the elements as 150, which<br />

is now used to mean ‘self’ but was originally a<br />

nose, with ‘big spotted dog’ 19, plus ‘mouth’<br />

22.<br />

Mnemonic: BIG SPOTTED SNIFFER DOG HAS<br />

MOUTH WITH NOSE TO SMELL<br />

deep into (a cave)’ (Tōdō, Ogawa); by extension,<br />

‘be in difficulties/an extreme situation’. Katō<br />

takes the associated sense of / as ‘extreme’,<br />

to give ‘innermost part of cave dwelling’. Note:<br />

is 339 ‘body’, with NJK ‘backbone,<br />

spine’ (originally pictograph). DJ2009:v2:596;<br />

TA1965:225-6; KJ1970:264; GY2008:1084;<br />

OT1968:742 SK1984:584. We suggest taking<br />

the elements as 860 ‘hole’, and further taking<br />

the elements of into 339 (still with a<br />

meaning of ‘body’) and as ‘bow’ 107.<br />

Mnemonic: BODY BOWED IN HOLE –<br />

EXTREME SUFFERING<br />

a figure holding what is taken alternatively to<br />

be a carpenter’s square, with the center part<br />

(corresponding to the projecting middle part<br />

of ) being a handle. Katō disagrees, since the<br />

only forms he identifies as bronze equivalents<br />

of do not include a person holding the item<br />

in question, and in shape are quite similar to<br />

125 ‘tool/work’, which as an independent graph<br />

might represent an ax, though this is debatable.<br />

The seal form, it will be noticed, still has the<br />

top and bottom lines of the graph projecting<br />

over to the left, but these were later shortened,<br />

resulting in the shape familiar to us today<br />

as . Overall, commentators tend towards<br />

‘carpenter’s square’ which seems more likely as<br />

the original meaning. The modern sense ‘huge’<br />

is noted by Mizukami as a loan usage. Note:<br />

360 The Remaining 1130 Characters

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