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1173<br />

L1<br />

KICHŪin mourning<br />

KINKItaboo<br />

imikiraudetest<br />

1174<br />

L1<br />

<br />

<br />

<br />

1175<br />

L2<br />

忌<br />

奇<br />

KISŪodd number<br />

SHINKInovelty<br />

KIKEIdeformity<br />

祈<br />

KI, inoru/ri<br />

pray, prayer, wish<br />

8 strokes<br />

KINENprayer<br />

KIGANsupplication<br />

inoriaupray together<br />

KI, imu/mi/mawashii<br />

mourn, abhor, odious,<br />

detest<br />

7 strokes<br />

KI<br />

strange, odd<br />

8 strokes<br />

OBI ; bronze ; seal . A graph with<br />

what appears to be a convoluted evolution.<br />

Several commentators (Mizukami, Ma) trace<br />

its origin back to the OBI stage, which they<br />

interpret as ‘flag/banner with dragon design<br />

and bells attached’; ‘seek good fortune from<br />

the gods, pray’ (originally, in time of war) is<br />

considered to be an early loan usage. In similar<br />

vein, the bronze form is taken to represent a<br />

flag or banner mounted on a curved handle<br />

or pole ( [traditional form of 569 q.v., also<br />

initially a weapon] here is regarded as pho-<br />

1176<br />

軌<br />

KI<br />

track, way, rut<br />

L1<br />

9 strokes<br />

KIDŌtrack, orbit<br />

MUKIDŌ nowayward<br />

JŌKInormal course<br />

Bronze ; seal . Has 33 ‘vehicle’, and <br />

13 (‘nine’) as phonetic with associated sense<br />

taken as i] ‘intervening gap’ (between wheels<br />

of a cart/carriage) (Katō) or ii] ‘be curved/bent’<br />

(Ogawa) (both senses listed by Mizukami), in<br />

Bronze ; seal . Has 164 ‘heart, mind’,<br />

and 866 (‘I, self’) as phonetic with associated<br />

sense ‘avoid in one’s heart out of loathing,<br />

firmly resist’, giving ‘avoid out of loathing;<br />

abhor, detest; odious; taboo’. Taboos are often<br />

associated with mourning and this is probably<br />

an extended meaning. MS1995:v1:496-7;<br />

KJ1970:234; AS2007:234.<br />

Mnemonic: IN MY HEART, I DETEST MYSELF<br />

Seal ; a late graph (Shuowen). Has 56 ‘big’<br />

(originally, pictograph of person standing),<br />

and 655 (‘can; approve’) as phonetic with<br />

associated sense ‘bent’, and hence ‘person with<br />

bent leg, lame’; by extension (Gu): ‘not normal,<br />

strange’. OT1968:246; TA1965:582; GY2008:58.<br />

Mnemonic: SOMETHING BIG AND BENT CAN<br />

BE ODD<br />

netic with associated sense ‘curved handle/<br />

pole’). The above treatment finds support<br />

in Schuessler, who lists the early Chinese<br />

equivalents for ‘pray for’ and ‘banner with<br />

dragon design and bells’ as two separate but<br />

homophonous words. Then, at the seal stage,<br />

the direct predecessor of gained orthodox<br />

status with its inclusion and promotion in<br />

Shuowen. consists of / 723 (originally,<br />

‘offering table, altar’; now ‘show’), with <br />

1233 (‘ax’) as phonetic with associated sense<br />

‘request, seek’, giving ‘seek (good fortune) from<br />

the gods’. MS1995:v2:940-41; MR2007:216;<br />

KJ1970:101,246-7; OT1968:719; AS2007:420.<br />

We suggest taking the modern form as ‘altar’<br />

and ‘ax’.<br />

Mnemonic: TAKE AN AX TO THE ALTAR FOR<br />

PRAYER!?<br />

either analysis giving ‘concave/curved tracks<br />

made in the ground by carts’, i.e. ‘wheel tracks’.<br />

Note: with regard to the English expression<br />

‘going off-track’, this is usually applied<br />

to moving away from a central theme in a<br />

speech or similar, i.e. digressing, but in the<br />

case of ‘going off track’ in Japanese, there is a<br />

greater waywardness, such as erratic behavior.<br />

MS1995:v2:1266-7; KJ1970:244; OT1968:980.<br />

Mnemonic: TRACK RUTTED AFTER NINE<br />

VEHICLES PASS<br />

The Remaining 1130 Characters 351

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