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1087<br />

箇<br />

KA, KO<br />

item (counter)<br />

L1<br />

14 strokes<br />

KAJŌgakiitemization<br />

KASHOplace, point<br />

IKKOone item<br />

Seal ; late graph (Shuowen). Has ‘bamboo’ <br />

58 and 501 ‘hard, solid’. Originally, used to<br />

count lengths of bamboo, then later the connotation<br />

‘bamboo’ was dropped, and employed<br />

widely as a general counter. Often interchanged<br />

with the counter 695. KJ1970:390-<br />

91; AS2007:248; SS1984:80-81.<br />

Mnemonic: IT’S HARD TO ITEMISE BAMBOO<br />

1088<br />

稼<br />

KA, kasegu<br />

work, earn money<br />

L1<br />

15 strokes<br />

KAGYŌone’s trade<br />

kasegitebreadwinner<br />

tomokasegidual income<br />

Seal ; late graph (Shuowen). Has 87 ‘grain<br />

plant’, and 89 (‘house’) as phonetic with<br />

associated sense as i] ‘good’, giving ‘grain which<br />

is well-developed’ (Ogawa), or ii] ‘cover over’,<br />

giving ‘grain harvested and covered’ (Tōdō).<br />

The meaning ‘work to earn money’ is extended.<br />

OT1968:736; TA1965:383.<br />

Mnemonic: HOUSE FULL OF GRAIN<br />

INDICATES WORK AND MONEY EARNED<br />

1089<br />

蚊<br />

ka, BUN<br />

mosquito<br />

L3<br />

10 strokes<br />

kabarifishing fly<br />

kaya*mosquito net<br />

kayarismudge fire<br />

Seal ( 蟁 ) ; late graph (Shuowen). Seal form has<br />

䖵 ‘insect’ (general term), and 619 (‘people’)<br />

as phonetic purely for its onomatopoeic value<br />

to represent the sound of a mosquito buzzing<br />

in flight, and on the same basis was later<br />

replaced by 72 ‘text’ with the double insect<br />

䖵 reduced to one, 60. Several other variant<br />

shapes were also used historically, but need<br />

not concern us here. OT1968:885; SS1984:759;<br />

GY2008:1048-9.<br />

Mnemonic: TEXT DESCRIBES MOSQUITO AS<br />

INSECT THAT GOES ‘BUN’<br />

1090<br />

L1<br />

<br />

<br />

<br />

牙<br />

GA, GE, kiba<br />

tusk, fang<br />

4 strokes<br />

DOKUGApoison fangs<br />

ZŌGEivory<br />

SHIGAteeth<br />

Bronze ; seal . The bronze forms are<br />

typically taken as depicting curved interlocking<br />

pieces of wood which made up part of<br />

the circular outer rim of a wheel; the original<br />

way of writing . Then, on the basis of the<br />

interlocking nature of these pieces of wood<br />

when put together, borrowed to represent<br />

‘tusk, fang’. Shirakawa, in contrast, chooses<br />

to interpret the bronze forms (onwards) as<br />

representing from the outset tusks or fangs<br />

coming together vertically. The bronze<br />

forms are, though, more supportive of<br />

the first analysis above. MS1995:v2:826-8;<br />

KJ1970:134-6; OT1968:634; SS1984:82. Mnemonically<br />

difficult but suggest taking graph<br />

as a ‘peg’ (baby talk for ‘tooth’), with as<br />

a support.<br />

Mnemonic: WHEN YOUR ‘TOOTHY PEGS’<br />

BECOME TUSKS, YOU NEED SUPPORT<br />

328 The Remaining 1130 Characters

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