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1072<br />

乙<br />

OTSU, ITSU<br />

b, 2 nd , quaint, odd<br />

L1<br />

1 stroke<br />

otome*maiden<br />

otsu nistrangely<br />

KŌ-OTSU-HEIABC<br />

OBI ; bronze ; seal . The very simple and<br />

non-distinctive shape makes analysis difficult:<br />

views include the bent shape of a young<br />

plant in spring and fish entrails, but modern<br />

scholars tend towards interpreting as a type<br />

of implement, specifically a curved knife for<br />

carving (or as weapon), with two blades and an<br />

intervening handle in the middle. Gu, however,<br />

takes it as a sprout of vegetation breaking<br />

through the soil surface. Loan usage for ‘2 nd in<br />

series’, denoting the second of the sequenced<br />

series of Ten Celestial Stems in traditional Chinese<br />

culture. ‘Odd, strange’ is noted by Ogawa<br />

as a Japanese-only sense. So too is ‘chic, stylish’.<br />

KJ1970:937-8; OT1968:26; MR2007:513; GY<br />

2008:443,3.<br />

Mnemonic: QUAINT TWO-BLADED<br />

IMPLEMENT COMES SECOND IN ORDER<br />

1073<br />

L1<br />

俺<br />

ore, EN<br />

I/me (slang term)<br />

10 strokes<br />

orera/oira*we, us<br />

ore-omaeslangy intimacy<br />

ore nomy<br />

Seal ; late graph (Shuowen). Has 41<br />

‘person’, and NJK (‘cover’) as phonetic<br />

(associated sense unclear). Shirakawa suggests<br />

that the graph may represent what<br />

was originally a loanword from the northern<br />

regions. Mizukami analyzes based on<br />

bronze and seal forms as comprising 56<br />

‘big’ (but here meaning ‘cover from above’),<br />

with 338 ‘say’, here meaning ‘grow upwards’,<br />

giving ‘cover from above something<br />

growingupwards’. TA1965:56; OT1968:68;<br />

MS1995:v1:300-01.<br />

Mnemonic:SAY, BIG GUY, WHAT ABOUT ME?<br />

1074<br />

卸<br />

orosu, oroshi<br />

wholesale<br />

L1<br />

9 strokes<br />

oroshiuriwholesale<br />

oroshiSHŌwholesaler<br />

oroshineDANtrade price<br />

OBI ; seal . Views vary. Gu sees OBI form<br />

as a person kneeling () before some sort<br />

of device as part of ritual to expel demons.<br />

In seal form onwards, the role of lower-left<br />

143 (usually ‘stop’, but in some graphs<br />

can conversely indicate foot actions, hence<br />

movement) is thought to emphasize movement<br />

in the act of expelling. Shirakawa also<br />

adopts ritualistic approach. Karlgren, Mizukami<br />

and Gu all treat as early way of writing<br />

for 1214 (q.v.; original meaning: ‘drive<br />

[chariot’]); ‘unload’ may be extended sense,<br />

leading to‘wholesale’. Katō treats the graph<br />

(seal stage onwards) differently, taking it as<br />

made up of and ; the latter is an obscure<br />

element/graph listed in neither Shuowen nor<br />

Kangxi zidian (and made up of ‘submissive<br />

person’, with 122 ‘pestle’ [now ‘noon’]<br />

here acting as phonetic for ‘confined’), taken<br />

by Katō provisionally as ‘confined slave’<br />

and then in extended sense ‘horse groom’;<br />

combined with , this gives his proposed<br />

original meaning ‘horse groom drives horse’.<br />

KJ1970:849-50; SS1984:392; GY2008:868. We<br />

suggest taking 1214 ‘honorable’ and removing<br />

the movement determinative 131.<br />

Mnemonic: WHOLESALE MARKET<br />

HONORABLE BUT LACKS MOVEMENT<br />

324 The Remaining 1130 Characters

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