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1059<br />

L1<br />

<br />

<br />

<br />

1060<br />

L2<br />

汚<br />

6<br />

O, kegare/ru/su, yogoreru/su,<br />

kitanai<br />

dirt, dishonor<br />

strokes<br />

OSENpollution<br />

OSHOKUbribery<br />

yogoremonodirty laundry<br />

Seal ; late graph (Shuowen). Has 42 ‘water’,<br />

and (NJK originally pictograph of an artefact<br />

1061<br />

L1<br />

<br />

<br />

<br />

凹<br />

5<br />

Ō, hekomu, boko<br />

concave, hollow, dip,<br />

dent, yield to<br />

strokes<br />

ŌMENconcavity<br />

dekobokounevenness<br />

hekomia dent, a hollow<br />

1062<br />

押<br />

Ō, osu<br />

push<br />

L2<br />

8 strokes<br />

ŌSHŪconfiscation<br />

oshiirecloset<br />

teoshigurumawheelbarrow<br />

1063<br />

L1<br />

艶<br />

19<br />

ENSHOlove letter<br />

ENBIbeauty, charm<br />

tsuyagamiglossy paper<br />

旺<br />

8<br />

ŌSEIfine condition<br />

ŌSEI naexcellent<br />

sakan naflourishing<br />

EN, tsuya(ppoi)<br />

luster, gloss, romantic,<br />

charm<br />

strokes<br />

Late graph (post-Shuowen). The earlier Shuowen<br />

equivalent has 811 ‘abundant (grain, etc.)’,<br />

with not 162 ‘color; sex’ but (CO; originally,<br />

Ō, sakan<br />

flourishing, beautiful,<br />

fine<br />

strokes<br />

pictograph of a lidded container with something<br />

piled up inside). Analyses of the earlier<br />

form with vary: Shirakawa says ‘abundant<br />

offerings’; Tōdō, in contrast, takes here as<br />

phonetic with associated sense ‘totally full’ (in<br />

this latter case the form , of later provenance<br />

and listed in Yupian, means ‘abundant good<br />

looks’ [Ogawa]). OT1968:841,691; SS1984:61.<br />

Mnemonic: ABUNDANCE OF COLOR IS<br />

CHARMING AND ROMANTIC<br />

made of a curved piece of wood; variants<br />

include 亐 : see also 1031) as phonetic with<br />

associated sense ‘a hollow, cavity’, giving ‘accumulated/stagnant<br />

water’. ‘Dirty’ is an extended<br />

sense, incorporating both physical dirt and abstract<br />

in a sense such as ‘dirty’ trick. OT1968:557;<br />

KJ1970:70-71; TA1965:418-20. Suggest taking<br />

亐 as twisted peg.<br />

Mnemonic: TWISTED PEG IN THE WATER IS<br />

PROBABLY DIRTY<br />

A late graph (Six Dynasties onwards). Pictorial<br />

representation of a concave shape, meaning<br />

‘concave, a depression’, with a range of extended<br />

meanings. Contrasts with 1804 ‘convex’.<br />

OT1968:108; QX2000:54; SS1984:63.<br />

Mnemonic: A CONCAVITY HOLLOWED OUT<br />

OF A SQUARE<br />

Seal ; a late graph (Shuowen). Has 34<br />

‘hand’, and 1318 (‘shell; 1 st in series’) as phonetic<br />

with associated sense ‘press down, press’,<br />

thus ‘push with hand’. KJ1970:2; OT1968:406;<br />

TA1965:857.<br />

Mnemonic: SHELL PUSHED INTO HAND<br />

Late graph, listed in Yupian with meaning<br />

given as ‘pale halo around the sun’. Later used<br />

in sense ‘beautiful’; this is the sense of CO 暀<br />

(believed to be original way of writing )<br />

noted in Shuowen. ‘Flourishing’, ‘fine’ may be<br />

extended meanings. SS1984:64; OT1968:461;<br />

DJ2009:v2:540. Suggest taking 66 as ‘day’<br />

rather than ‘sun’, and as ‘king’ 5.<br />

Mnemonic: KING FOR A DAY – JUST FINE<br />

The Remaining 1130 Characters 321

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