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1048<br />

L1<br />

謁<br />

15<br />

ETSU<br />

audience (with high<br />

ranking person)<br />

strokes<br />

HAIETSUaudience<br />

EKKENaudience<br />

EKKENSHITSUchamber<br />

Seal ; late graph (Shuowen); traditional form<br />

has on right. Has 118 ‘speak’, and (NJK<br />

‘say, articulate’, with 匃 CO ‘stop and ask’,<br />

as phonetic having associated sense ‘stop,<br />

detain’), thus ‘stop and question’ (Ogawa); or<br />

‘question loudly’ (Gu), thus ‘request’. Katō accounts<br />

for the sense ‘audience, meeting with<br />

someone of high status’ by noting that when<br />

seeking an audience, a request involved writing<br />

down the name of the audience-seeker,<br />

which was then presented to the person of<br />

high status, and this gave rise to ‘audience’ by<br />

association. MS1995:v1:148-9; GY2008:1336;<br />

KJ1970:97; OT1968:933. Note here is not<br />

‘smell’ 1821, though same shape. Take / as<br />

‘day’ 66, as sitting person, and corner.<br />

Mnemonic: PERSON SITTING IN CORNER ALL<br />

DAY TO SPEAK IN AUDIENCE<br />

1049<br />

閲<br />

ETSU<br />

inspection<br />

L1<br />

15 strokes<br />

EPPEItroop review<br />

KEN’ETSUcensorship<br />

ETSURANperusal<br />

Widely seen as 231 ‘gate’, and 553 (interpretations<br />

include ‘be glad’ [Gu, Schuessler],<br />

‘one who pleases the deities’ [Ogawa], ‘shaman’<br />

[Katō]), here as phonetic with associated sense<br />

‘count’, giving a core meaning ‘line up and<br />

count’ (Shirakawa adds ‘horses and vehicles<br />

within the gates’, Ogawa adds ‘horses and vehicles<br />

at mausoleum gates’). Katō, alternatively,<br />

treats here not as ‘gate’ but as an abbreviation<br />

of a more complex element consisting of<br />

an archaic form of ‘under, go down’ 7 over<br />

, which he asserts has the meaning ‘set out,<br />

arrange’; despite this different analysis of ,<br />

the overall meaning Katō arrives at is similarly<br />

‘line up and count’. SS1984:52; OT1968:1061;<br />

KJ1970:602,604; AS2007:184,219; GY2008:491.<br />

Take as ‘elder brother’ 114, as ‘out’ 70.<br />

Mnemonic: ELDER BROTHER GETS OUT OF<br />

GATE FOR INSPECTION<br />

1050<br />

炎<br />

EN, honō<br />

flame<br />

L1<br />

8 strokes<br />

KAENflame, blaze<br />

NŌENencephalitis<br />

ENTENscorching weather<br />

OBI ; seal . Has 8 ‘fire’ on top of another<br />

, taken to denote an intensified sense ‘vigorous<br />

fire; burn vigorously’ (Mizukami, Ogawa), or<br />

to mean ‘light of fire rising upward’ (Qiu, Katō).<br />

The latter is the explanation given in Shuowen.<br />

MS1995:v2:796-7; OT1968:616; QX2000:199;<br />

KJ1970:97.<br />

Mnemonic: TWO FIRES MAKE A LOT OF FLAMES<br />

1051<br />

L1<br />

怨<br />

EN, ON, urami/mu<br />

grudge, malice<br />

9 strokes<br />

SHIENpersonal grudge<br />

ONNENgrudge, malice<br />

uramigotogrudge<br />

Seal ; late graph (Shuowen). Has 164<br />

‘heart, mind’, and CO 夗 (see Note below),<br />

as phonetic with associated sense taken as<br />

i] ‘accumulate’, thus ‘feelings are congested<br />

or ‘unsettled’ (Katō), or ii] ‘bent, crooked’<br />

thus ‘feelings are distorted’ (Ogawa). Note:<br />

meanings of 夗 /are ‘bend the body over’<br />

(Katō), and ‘bend over/fall down’ (the latter is<br />

318 The Remaining 1130 Characters

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