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1000<br />

L3<br />

<br />

<br />

<br />

卵<br />

RAN, tamago<br />

egg, roe, spawn<br />

7 strokes<br />

RAN’Ōegg yolk<br />

SANRANspawning<br />

namatamagoraw egg<br />

Seal ; late graph (Shuowen). Views diverge.<br />

Several scholars take as a pictograph – Ogawa<br />

considers to originally denote frog spawn, and<br />

by extension ‘egg’; Tōdō is uncertain over the<br />

specific shape, but speculates to be possibly fish<br />

or insect eggs. The alternative treatment also<br />

takes as a pictograph, depicting not eggs but<br />

a pair of treadles on a loom, then borrowed on<br />

the basis of similarity in shape to represent ‘eggs’<br />

(Katō, Yamada). The former view seems tentative,<br />

the latter more persuasive. OT1968:147;<br />

TA1965:555-6; KJ1970:146; YK1976:489-90. Suggest<br />

taking as frog spawn on stalks.<br />

Mnemonic: SPOTTED BLOBS OF SPAWN ON<br />

TWO UPRIGHT STALKS<br />

1001<br />

覧<br />

RAN<br />

‘bowl’ 300 in modern form), giving ‘supervise,<br />

watch’, thus ‘see, look’. Based on classical<br />

see, look<br />

L1<br />

17 strokes<br />

Chinese usage, Shirakawa takes as action of<br />

high-ranking individuals, but Schuessler feels<br />

GORAN look, try<br />

it may just represent a variant of the word represented<br />

KAIRANcirculation<br />

by 1159. TA1965:807; YK1976:490;<br />

KANRANinspection<br />

SS1984:866; AS2007:305-6.<br />

Seal ; late graph (Shuowen); traditional .<br />

Has 20 ‘see’, and 1l59 q.v., orig. ‘look at<br />

water surface in bowl as mirror’ (but minus<br />

Mnemonic: SUPERVISOR LOOKS, BUT MISSES<br />

THE BOWL<br />

1002<br />

L3<br />

裏<br />

13<br />

RI, ura<br />

reverse, back, inside,<br />

lining<br />

strokes<br />

RIMENinside, back<br />

urakefleece lining<br />

urazukeruback up, support<br />

Bronze ; seal . Has 444 ‘garment’, and<br />

238 (‘village’) as phonetic with associated<br />

sense usually taken as ‘inside’, giving ‘inside/<br />

reverse side of garment’, then generalized to<br />

‘reverse’. Tōdō and Mizukami, though, take<br />

associated sense of here as ‘fold, crease’,<br />

and consider that fabric woven with stripes or<br />

other pattern and folds/creases was often used<br />

for garment linings, hence ‘back, reverse side’.<br />

Despite this divergence, all commentators associate<br />

the graph with garment linings, i.e. ‘underside’.<br />

YK1976:492; OT1968:906; SS1984:871;<br />

TA1965:102; MS1995:v2:1168-9.<br />

Mnemonic: CLOTHING MADE AT REAR OF<br />

VILLAGE HAS GOOD LINING<br />

1003<br />

律<br />

RITSU, RICHI<br />

Bronze ; seal . Has 131 ‘go, walk, move’<br />

law, control<br />

and (originally, hand holding writing brush<br />

L3<br />

9 strokes<br />

> ‘write’, see 159) as phonetic with associated<br />

sense typically taken as ‘one’, giving ‘one path’,<br />

HŌRITSUlaw<br />

and by extension ‘rule, law’. Mizukami also<br />

KIRITSUdiscipline<br />

gives an alternative, i.e. proposed associated<br />

RICHIGIintegrity<br />

sense ‘put in order’, giving ‘well-ordered path’.<br />

YK1976:494; KJ1970:55; MS1995:v1:484-5.<br />

Mnemonic: MOVING HAND WRITES THE LAW<br />

The 181 Sixth Grade Characters 305

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