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869<br />

L1<br />

后<br />

6<br />

KŌ, GO, kisaki<br />

empress, queen,<br />

behind, later<br />

strokes<br />

KŌGŌ*empress, queen<br />

KŌHIempress, queen<br />

BOKŌempress dowager<br />

OBI , ; seal . Note there is in seal script<br />

a mirror image of this right-facing graph,<br />

namely 524 (‘official’) which faces left. is<br />

generally taken as variant of 256 ‘person in<br />

bent posture/crouching/squatting’ (here, not<br />

‘corpse’), with 22 ‘opening’ (i.e. ‘anus’) as both<br />

870<br />

孝<br />

KŌ<br />

filial piety<br />

L1<br />

7 strokes<br />

KŌSHIdutiful child<br />

KŌKŌfilial piety<br />

FUKŌfilial impiety<br />

Bronze ; seal Has 638, originally showing<br />

old person bent over, with long hair, thus meaning<br />

’old person’, and 27 ‘child’. Views differ as<br />

871<br />

皇<br />

KŌ, Ō<br />

emperor<br />

L1<br />

9 strokes<br />

TENNŌ*emperor<br />

KŌSHITSUimperial family<br />

KŌTAISHIcrown prince<br />

Bronze ; seal . Views vary. One takes upper<br />

element as originally depicting a ritual mask<br />

(Yamada says mask later changed to type of<br />

cap) worn to ward off evil spirits, together with<br />

a lower element originally believed to represent<br />

‘stand’/‘platform’. This latter element (written<br />

from seal script on) is taken by Yamada as<br />

872<br />

L3<br />

<br />

<br />

<br />

紅<br />

KŌ, KU, kurenai, beni<br />

rouge, crimson<br />

9 strokes<br />

KŌYŌred leaves<br />

SHINKUcrimson<br />

KŌCHAbrown/black tea<br />

Seal ; late graph (Shuowen). Has 29 ‘silk<br />

thread, thread’, and 125 (originally a type<br />

semantic and phonetic (Yamada, Tōdō, Ogawa).<br />

Katō says ‘anus’ became a generalized ‘behind’.<br />

Schuessler sets up two words in early Chinese<br />

as near-homophones, one meaning ‘behind,<br />

after’, the other meaning ‘lord, queen’. Even<br />

bearing in mind the vagaries of the loan graph<br />

principle, the use of (orig. ‘anus’) for ‘empress,<br />

queen’ seems surprising, if not puzzling.<br />

An explanation may be that the original meaning<br />

was forgotten. KJ1970:456-7; YK1976:176;<br />

MS1995:v1:212-3; TA1965:302-5; OT1968:166;<br />

AS2007:279-80.<br />

Mnemonic: EMPRESS FOLLOWS BEHIND<br />

to whether is semantic or phonetic here, but<br />

either way overall sense is same, i.e. ‘child makes<br />

efforts for old person/parents and ancestors’.<br />

Yamada alone gives different early forms for<br />

, and so instead of treats 丂 130 (‘floating<br />

plant’) as phonetic with associated sense ‘bend’.<br />

MS1995:v1:350-51; KJ1970:892-3; OT1968:266;<br />

TA1965:226-7; GY2008:373; YK1976:177.<br />

Mnemonic: CHILD SHOWS FILIAL PIETY TO<br />

OLD PERSON<br />

phonetic with associated sense ‘big’, thus ‘big<br />

ritual mask/cap’; Mizukami broadly agrees, but<br />

does not mention ‘cap’, instead proposing ‘major<br />

deity’ as alternative sense to ‘big ritual mask’.<br />

Ogawa’s approach is different, taking the graph<br />

as light from flames, burning on stand, meaning<br />

‘shine’ (later ). Tōdō looks to identify upper element<br />

as 150 (‘nose’; ‘self’), but older (pre-seal)<br />

forms do not support this view. ‘Ruler’ is a loan<br />

usage. YK1976:180; MS1995:v2:898-9,1086-7;<br />

OT1968:687; TA1965:413-5. Suggest taking as<br />

‘white’ 69, and as ‘king’ 5.<br />

Mnemonic: EMPEROR IS WHITE KING<br />

of tool, probably an ax-head, also ‘work’) as<br />

phonetic with associated sense ‘pink’. Qiu<br />

suggests etymology of is more complex,<br />

indicating diversity of opinion over etymology.<br />

Schuessler notes meanings as including ‘pink’<br />

and ‘red’. Note that colour spectrum is divided<br />

arbitrarily in different languages. YK1976:180-<br />

81; QX2000:306; AS2007:278.<br />

Mnemonic: WORK WITH CRIMSON THREADS<br />

The 181 Sixth Grade Characters 271

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