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(original Peking Palace woodblock edition, not<br />

the modern version) has not this but the slightly<br />

different form 查 . Etymologically speaking,<br />

appears to be correct, and is standard usage<br />

in modern Japanese, but 查 is standard in PRC<br />

Chinese. KJ1970:415; YK1976:193; OT1968:498;<br />

ZY2009:v2:498; KZ2001:1112/3671. We suggest<br />

taking the elements as ‘tree/wood’ and <br />

‘cairn’.<br />

Mnemonic: INVESTIGATE A CAIRN UNDER A<br />

TREE<br />

Or: FURTHERMORE, INVESTIGATE A TREE<br />

706<br />

再<br />

SAI, SA, futatabi<br />

again, twice, re-<br />

L3<br />

6 strokes<br />

SAISEIregeneration<br />

SAIKANreprint<br />

SARAINENyear after next<br />

OBI ; seal . This graph is generally taken<br />

as consisting of a lower bamboo basket (as in<br />

the lower part of – see 701 and 703), and a<br />

horizontal stroke on top to represent a flat<br />

base for placing an upper basket (a second<br />

basket). Hence, the extended meanings ‘sec-<br />

ond, twice’ (Katō, Yamada, Ogawa). Katō alone<br />

considers this graph did not exist independently<br />

at the OBI or bronze stage. Gu looks to<br />

recognize independent status for from OBI<br />

onwards, but makes a quite different interpretation<br />

as representing two fish being carried.<br />

MS1995:v1:108-9; KJ1970:550; YK1976:195;<br />

OT1968:100; GY2008:232. We suggest taking<br />

the graph as a pictograph of exactly what it is –<br />

an upturned basket.<br />

Mnemonic: UPTURNED BASKET WITH FLAT<br />

BOARD TO ADD A BASKET AGAIN<br />

707<br />

L1<br />

<br />

<br />

<br />

災<br />

SAI, wazawai<br />

calamity<br />

7 strokes<br />

SAINANcalamity<br />

SAIGAIdisaster<br />

KASAIconflagration<br />

OBI , ; seal , . The block script form<br />

() does not represent the mainstream development<br />

for this graph, and so firstly the main<br />

historical forms will be described. The first OBI<br />

form for above is taken to correspond to the<br />

seal form 烖 , which is analyzed as 8 ‘fire’, with<br />

(variant of halberd – see e.g. 545) as phonetic<br />

with associated sense ‘harm, injure’ (Mizukami,<br />

Katō, Yamada: Mizukami also lists ‘stop’ as an<br />

alternative sense), to give ‘damage/disaster by<br />

fire’. The second OBI (corresponding seal form<br />

also) is , which has 30 ‘roof, building’ over<br />

‘fire’, to represent ‘house/building fire’. The<br />

more familiar modern form is based on<br />

another form noted in Shuowen, which has<br />

(‘blocked river overflows’) over , with the<br />

upper element subsequently changed to <br />

(‘river current’); resultant overall meaning is<br />

‘calamity, disaster’. SS1984:335; MS1995:v2:800-<br />

02,v1:422-4; KJ1970:422; YK1976:196.<br />

Mnemonic: FIRE AND FLOWING RIVER ARE<br />

POTENTIAL CALAMITIES<br />

708<br />

妻<br />

SAI, tsuma<br />

wife<br />

L3<br />

8 strokes<br />

GOSAIsecond wife<br />

FUSAIhusband and wife<br />

hitozumamarried woman<br />

Seal ; late graph (Shuowen). Has 37<br />

‘woman’, and upper part taken as hand holding<br />

three hairpins or broom (see 106, 800).<br />

MS1995:v1:320-21; YK1976:196; SS1984:336.<br />

Mnemonic: WOMAN HOLDING BROOM IS<br />

WIFE<br />

The 185 Fifth Grade Characters 227

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