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547<br />

L3<br />

<br />

<br />

<br />

清<br />

SEI, SHŌ, kiyoi/meru<br />

pure, clean<br />

11 strokes<br />

SEIKETSUcleanliness<br />

SEIJŌ/SHŌJŌpurity<br />

shimizu*spring water<br />

Seal ; late graph (Shuowen). Has ‘water’ 42,<br />

and 45 (‘green/blue’) as phonetic with associated<br />

sense ‘clear, not cloudy (of liquids)’, to<br />

give ‘clear water’ and by extension the generalized<br />

sense ‘clear, pure’. KJ1970:593; YK1976:302;<br />

OT1968:588.<br />

Mnemonic: BLUE WATER IS PURE AND CLEAN<br />

548<br />

L3<br />

静<br />

SEISHIstillness<br />

shizukesaquietude<br />

JŌMYAKUvein<br />

SEI, JŌ, shizuka/maru<br />

quiet, calm<br />

14 strokes<br />

Bronze ; seal . Interpretations differ. One<br />

analysis takes 45 ‘green/blue’ as semantic,<br />

and 558 (‘conflict’, qv) as phonetic with<br />

associated sense ‘beautiful’, to give ‘beautiful<br />

green/blue color’, and ‘quiet, calm’ is treated as a<br />

loan usage (Katō, Yamada). Alternatively, it is <br />

that is treated as semantic, and as phonetic<br />

with associated sense ‘stop’, to give ‘stop conflict’,<br />

and hence ‘quiet,calm’ (Ogawa). Mizukami<br />

lists both views. MS1995:v2:1428-9; KJ1970:653;<br />

YK1976:306.<br />

Mnemonic: CONFLICT QUIETENED BY SIGHT<br />

OF CALMING GREEN – ALL CALM<br />

549<br />

L3<br />

<br />

<br />

<br />

席<br />

SEKI<br />

seat, place<br />

10 strokes<br />

SHUSSEKIattendance<br />

KESSEKIabsence<br />

KŪSEKIempty seat<br />

OBI ; seal . The OBI form is a pictograph<br />

of a mat made of rushes or similar. There<br />

were then later forms with either the rush<br />

mat or 1232 ‘cloth, fabric’, enclosed within<br />

(cliff) as phonetic with associated sense<br />

‘spread out below’, to give ‘mat to spread out’.<br />

At the seal stage, the phonetic was changed<br />

to an abbreviated form of (‘various’ 1480)<br />

as phonetic, again with associated sense<br />

‘spread out below’, with ‘cloth, fabric’.<br />

The latter element is considered to have<br />

been used because the rush mat was bound<br />

with fabric. MS1995:v1:440-41; KJ1970:612;<br />

YK1976:308-9. Suggest taking the graph as<br />

‘building’ (see 127), twenty-one (2 x [35]<br />

‘ten’ with ‘one’ [1] = 21), and ‘cloth’.<br />

Mnemonic: BUILDING WITH TWENTY-ONE<br />

CLOTH SEATS<br />

550<br />

L3<br />

積<br />

SEKI, tsumu/moru<br />

product, pile<br />

16 strokes<br />

MENSEKIdimensions<br />

SEKISETSUsnow depth<br />

tsumoriintention<br />

Bronze ; seal . Has 87 ‘grain’, and<br />

751 (‘blame’) as phonetic with associated<br />

sense ‘gather, accumulate’, to give ‘accumulate<br />

grain’, and then generalized in meaning to<br />

‘accumulate, pile up’ and other related senses<br />

such as ‘contents’, ‘product (in mathematics)’.<br />

MS1995:v2:970-71; OT1968:737; KJ1970:614;<br />

YK1976:309.<br />

Mnemonic: TAKE BLAME FOR PILE-UP OF<br />

GRAIN<br />

184 The 200 Fourth Grade Characters

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