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483<br />

L1<br />

<br />

<br />

<br />

漁<br />

GYO, RYŌ<br />

fishing<br />

14 strokes<br />

GYOSENfishing boat<br />

RYŌSHI(pro) fisherman<br />

GYOGYŌfishery<br />

OBI ; seal . Has 42 water, and 109 ‘fish’,<br />

to give ‘fish in water’, and by extension ‘catch fish’.<br />

Some of the OBI occurrences have up to four<br />

fish; the bronze form has two hands added. As<br />

proposed by Ogawa and Yamada, the SJ reading<br />

RYŌ – less to be expected than the more regular<br />

reading GYO, and difficult to explain in terms<br />

of the early Chinese pronunciation – probably<br />

arose through confused association with SJ<br />

RYŌ ‘hunt’ 2090. MS1995:v2:794-5; OT1968:606;<br />

YK1976:130; KJ1970:269.<br />

Mnemonic: FISHING MEANS CATCHING FISH<br />

IN WATER<br />

484<br />

L3<br />

共<br />

KYŌ, tomo<br />

together<br />

6 strokes<br />

KYŌTSŪcommonality<br />

tomoguicannibalism<br />

KYŌDŌjoint-<br />

OBI ; bronze ; seal . The OBI through<br />

to seal forms all have two hands offering<br />

up an object which appears to be typically<br />

interpreted as a jade disc with a center hole<br />

(Mizukami, Katō, Yamada); Ogawa is more<br />

cautious, and takes it in more general terms as<br />

some type of object. ‘Provide’ is an extended<br />

sense; the meaning ‘all together’ is found from<br />

pre-Han times (Schuessler). MS1995:v1:102-3;<br />

KJ1970:234-5; YK1976:130; OT1968:97;<br />

AS2007:256-7. Suggest taking the upper part as<br />

53 ‘plant’ and the lower part as a table.<br />

Mnemonic: PLANT AND TABLE GO TOGETHER<br />

485<br />

協<br />

KYŌ<br />

OBI form comprising 78 ‘strength’ tripled<br />

cooperate<br />

listed by Mizukami, meaning ‘collect strength<br />

L3<br />

8 strokes<br />

and put together’. The graph 35 ‘ten, many’<br />

was added at seal stage to reinforce the<br />

KYŌTEIagreement<br />

meaning, with a phonetic role with associated<br />

KYŌRYOKUcooperation<br />

meaning ‘collect’ (Katō). MS1995:v1:168-9,138-9;<br />

KYŌKAIassociation<br />

KJ1970:360; YK1976:132.<br />

Seal ; late graph (Shuowen). The underlying<br />

word seems to have been represented in<br />

writing already in Shang times, as there is an<br />

Mnemonic: TEN TRIPLE-STRONG ARMS<br />

COOPERATING<br />

486<br />

鏡<br />

KYŌ, kagami<br />

mirror<br />

L1<br />

19 strokes<br />

BŌENKYŌtelescope<br />

KYŌDAIdressing table<br />

tekagamihand mirror<br />

Seal ; late graph (Shuowen). Has 16 ‘metal’,<br />

and NJK (‘end’, originally of a piece of music)<br />

as phonetic with associated sense ‘appearance,<br />

shape’. In early China, mirrors were typically<br />

thin discs made of bronze, with the back<br />

decorated – often ornately – with patterns and<br />

motifs of great significance (mythological, etc.),<br />

and often featured inscriptions also. Bronze was<br />

a material used extensively for ritual artefacts<br />

such as mirrors, affordable only to the wealthy.<br />

KJ1970:350-51; OT1968:1049; YK1976:135. Suggest<br />

taking as its components 6 ‘sound’<br />

and 41 ‘bent legs’, for a Zen-like mnemonic.<br />

Mnemonic: THE SOUND OF BENT LEGS IN A<br />

METAL MIRROR!?<br />

166 The 200 Fourth Grade Characters

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