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470<br />

L3<br />

<br />

<br />

<br />

希<br />

KI, KE<br />

desire, rare<br />

7 strokes<br />

KIBŌwish<br />

KIKYŪdesire<br />

KIHAKUthinness<br />

Bronze ; seal ; late graph (Shuowen). The<br />

seal form onwards has NJK (‘towel’), originally<br />

depicting a scrap of cloth, but as Katō<br />

and Yamada point out the bronze predecessor<br />

of this graph has a more elaborate element,<br />

taken to represent embroidered cloth; this<br />

combines with showing interwoven threads.<br />

Yamada takes ‘rare’ as a loan usage (Ogawa<br />

considers original sense of to be ‘fine weave<br />

[of fabric]’, and by extension ‘extremely small;<br />

rare’); ‘desire’ is also a loan usage. KJ1970:6 87;<br />

YK1976:111; OT1968:315; MS1995:v2:1514-5;<br />

ZY2009:v4:1654.<br />

Mnemonic: INTERWOVEN CLOTH THREADS<br />

DESIRABLE BUT RARE<br />

471<br />

L3<br />

<br />

<br />

<br />

季<br />

KI<br />

season, young<br />

8 strokes<br />

KISETSUseason<br />

SHIKIthe four seasons<br />

KIKANquarterly publication<br />

OBI ; seal . Views vary. 87 ‘grain plant’<br />

(note: not necessarily just rice – Qiu takes it<br />

to denote foxtail millet, grown widely in NW<br />

China from ancient times), and 27 ‘child’,<br />

which Yamada treats as semantic and phonetic,<br />

meaning ‘young’, to give ‘young grain’, and<br />

believes the association with crops was later<br />

lost and the sense ‘child’ came to prominence,<br />

giving ‘young child’. Katō is in broad agreement,<br />

but chooses to follow the Shuowen assessment<br />

in regarding as an abbreviation of 1700<br />

‘young’. Schuessler notes use of in bronze<br />

texts already to mean ‘young, youngest (of<br />

persons)’, with ‘season, three-month period’ as a<br />

much later sense (Tang period). Three months is<br />

roughly the period needed for grains such as<br />

barley and millet to grow and ripen. YK1976:112;<br />

KJ1970:244; AS2007:298; MS1995:v1:350-52.<br />

Mnemonic: GRAIN PLANTS IN SEASON GROW<br />

LIKE YOUNG CHILDREN<br />

472<br />

紀<br />

KI<br />

adding determinative ‘thread’ 29. Yamada<br />

chronicle, start<br />

treats the sense ‘record, chronicle’ as loan usage,<br />

L1<br />

9 strokes<br />

but alternatively it may be extended usage<br />

on the basis of the thread of continuity in an<br />

KIGEN epoch, era<br />

account or record. As Qiu notes – with reference<br />

KIKŌ travelogue<br />

to Chinese – there is some overlap in usage of <br />

GOSEIKI fifth century<br />

and 115 ‘account, record’, and this may also be<br />

the case in Japanese. KJ1970:234; YK1976:112;<br />

OT1968:766; QX2000:297-8; AS2007:298.<br />

Seal ; late graph (Shuowen). Has 866<br />

(modern meaning ‘self’) in broad original sense<br />

of ‘length of thread’ (Yamada takes as phonetic<br />

also) with meaning extended to ‘beginning’<br />

(one of the ends of the thread), later clarified by<br />

Mnemonic: THREADS IN CHRONICLE OF<br />

ONESELF START FROM BEGINNING<br />

473<br />

喜<br />

KI, yorokobu<br />

OBI ; seal . Typically interpreted as 22<br />

rejoice, happy<br />

‘mouth’, with functioning as semantic and<br />

L3<br />

12 strokes<br />

phonetic with original sense ‘sprouts of vegetation<br />

newly emerged from the ground’, to give ‘put<br />

KIGEKIcomedy<br />

soft, cooked food in the mouth’. (It may also have<br />

KANKIdelight<br />

a connection with a food vessel 379.) It should<br />

ōyorokobigreat joy<br />

be noted that Mizukami, Yamada, and Katō treat<br />

as phonetic only, and with this analysis, ‘be<br />

162 The 200 Fourth Grade Characters

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