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371<br />

定<br />

TEI, JŌ, sadameru<br />

fix, establish<br />

L3<br />

8 strokes<br />

TEIKI fixed term<br />

FUTEI indefinite<br />

KETTEI decision<br />

Bronze ; seal . Has 30 ‘roof, building’,<br />

and 43 (‘correct’) as phonetic, generally<br />

taken as having associated sense ‘prepare a<br />

house’, and by extension the more generalized<br />

meanings ‘arrange’, ‘decide’. Mizukami also lists<br />

second interpretation, i.e. ‘stay on in a house’.<br />

Ma interprets as ‘person entering a house’ by<br />

taking lower element in his proposed OBI forms<br />

as 54 ‘foot/leg’ (q.v.). In the latter cases,<br />

‘decide’ is presumably considered a loan usage.<br />

KJ1970:584; YK1976:373; MS1995v1:368-9;<br />

MR2007:369.<br />

Mnemonic: FIX ROOF CORRECTLY<br />

372<br />

L3<br />

庭<br />

TEI, niwa<br />

garden, courtyard<br />

9 strokes<br />

KATEI household<br />

TEIEN garden<br />

niwaSHI master gardener<br />

Seal . Has 127 ‘house, building’, and <br />

1742 (‘imperial court’), here as phonetic with<br />

associated sense ‘extend/spread in a straight<br />

line/evenly’ (Mizukami, Tōdō). Originally, the<br />

building was typically a palace, and the graph<br />

referred to a level open space in a courtyard<br />

where people often gathered for formal occasions.<br />

Used with a similar meaning historically<br />

in Japan, but then also came to denote ‘garden’.<br />

MS1995:454-5; TA1965:455-59; OT1968:329.<br />

Mnemonic: PALACE COURTYARD HAS FINE<br />

COVERED GARDEN<br />

373<br />

L1<br />

笛<br />

TEKI, fue<br />

flute, whistle<br />

11 strokes<br />

KITEKI steam whistle<br />

TEKISHU flutist<br />

kuchibue whistle<br />

374<br />

鉄<br />

TETSU, kurogane<br />

iron, steel<br />

L3<br />

13 strokes<br />

TEPPAN iron/steel plate<br />

CHIKATETSU subway<br />

TEKKYŌ iron bridge<br />

Seal ; traditional . Generally taken as 16<br />

‘metal’, with (CO ‘big’) (the minor change from<br />

56 [‘big’] in top of seal form to 35 [‘ten’] in<br />

block script is not significant) as phonetic with<br />

associated sense range ‘black soil, black, reddishblack’<br />

(Mizukami, Yamada, Ogawa), though<br />

Seal ; a late graph (Shuowen). Has 58<br />

‘bamboo’, and 421 (‘reason’) as phonetic<br />

with associated sense ‘extract’ (Tōdō, Ogawa)<br />

or ‘clear’ (Katō); Tōdō takes it as extracting the<br />

material from inside the bamboo joints to make<br />

it hollow, while Katō takes as meaning a flute<br />

which produces clear sound. TA1965:185-90;<br />

OT1968:749; KJ1970:720.<br />

Mnemonic: THERE’S A REASON WHY BAM-<br />

BOO IS USED AS A FLUTE<br />

Katō regards the right-hand element as having<br />

semantic and phonetic role, meaning ‘big’. In<br />

favour of interpretation of right-hand element<br />

as ‘black, reddish black’ here is the existence of<br />

a related word in Chinese of the same or similar<br />

pronunciation represented by the graph <br />

meaning ‘reddish-black horse’. The black or reddish-black<br />

metal is usually taken as ‘iron’, which<br />

takes on a reddish-black colour when rusted.<br />

MS1995:v2:1378-9; YK1976:377; OT1968:1040;<br />

KJ1970:723; ZY2009:v4:1560. We suggest taking<br />

the modern right-side as 529 ‘lose’.<br />

Mnemonic: LOST METAL PROVES TO BE IRON<br />

136 The 200 Third Grade Characters

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