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258<br />

L3<br />

HENKAchange<br />

KESHŌmake-up<br />

bakemono‘spook’<br />

Traditional 化 . OBI form depicts ‘person’<br />

41 (‘standing’), with element ( 匕 in<br />

259<br />

L4<br />

<br />

<br />

<br />

化<br />

荷<br />

KA, KE, bakeru/kasu<br />

change, bewitch<br />

4 strokes<br />

KA, ni<br />

load, burden<br />

10 strokes<br />

SHUKKAconsignment<br />

funaniship’s cargo<br />

niMOTSUluggage<br />

A late graph (Shuowen) . Has 53 ‘plant,<br />

vegetation’, and 86 (‘what?’) as phonetic,<br />

Japanese) for person fallen down – indicating<br />

change of state – acting as phonetic with<br />

associated sense range ‘become different,<br />

imitate, false’. The graph is in Tōdō’s word-family<br />

meaning ‘change shape’. MS1995:v1:54-5;<br />

KJ1970:305-06; YK1976:77; TA1965:607-09.<br />

Mnemonic: STANDING MAN IS BEWITCHED<br />

AND FALLS DOWN CHANGED<br />

original meaning ‘lotus plant’. Early Chinese<br />

word for ‘carry on shoulder/back’ was originally<br />

written , but when came to be used for<br />

a near-homophone meaning ‘who?’, ‘what?’,<br />

was borrowed for ‘carry’. AS2007:273,275;<br />

YK1976:83; TA1965:583-6.<br />

Mnemonic: WHAT PLANTS ARE IN THAT<br />

LOAD?<br />

260<br />

界<br />

KAI<br />

A late graph (Shuowen) . Has 63 ‘field’, and<br />

area, boundary<br />

1094 (modern meaning ‘come between’)<br />

L4<br />

9 strokes<br />

here as phonetic with associated sense ‘divide’,<br />

giving original meaning ‘divide up fields’. In<br />

SEKAIworld<br />

Tōdō’s word-family meaning ‘divide in two;<br />

KYŌKAIboundary<br />

interval, gap’. KJ1970:143; YK1976:90;<br />

SEIKAIworld of politics<br />

TA1965:601-05.<br />

Mnemonic: DIVIDE FIELDS INTO AREAS WITH<br />

BOUNDARIES<br />

261<br />

開<br />

KAI, hiraku, akeru A relatively late graph (Shuowen) . Has 231<br />

open<br />

‘gate’, and an inner element taken i] as <br />

L4<br />

12 strokes<br />

‘face, oppose’ (the two leaves of opened gate<br />

facing each other) (Yamada, Katō), or ii] two<br />

KAIHATSUdevelopment<br />

hands reaching out to remove the crossbar<br />

KAISHIinception<br />

(Shirakawa, Ogawa). YK1976:91; KJ1970:143;<br />

hirakizunarip-cord<br />

SS1984:92-3; OT1968:1057.<br />

Mnemonic: HANDS REMOVE BAR AND OPEN<br />

GATE<br />

262<br />

階<br />

KAI<br />

and 1099 (modern meaning ‘all, everyone’)<br />

storey, grade, step as phonetic with associated sense ‘be lined<br />

L3<br />

12 strokes<br />

up’, or ‘be in unison’. KJ1970:152; YK1976:91;<br />

OT1968:1072. Note that the determinative <br />

KAIDANstairs<br />

can also occur as a right-hand element, with<br />

NIKAIupstairs<br />

different etymology and meaning; see 376<br />

KAIKYŪclass, grade<br />

and 1907 for further discussion.<br />

Late graph (Shuowen) . Has determinative Mnemonic: ALL THE MOUNDS SHOULD HAVE<br />

‘piled-up earth, mound’ (short form of 1907), STEPS LINED UP<br />

The 200 Third Grade Characters 109

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