480531170
224 L5 北 HOKU, kita north, flee 5 strokes TŌHOKUnortheast HAIBOKUdefeat kitakazenorth wind OBI is based on pictograph of two people back-to-back in profile. ‘Turn back on, retreat’ is taken as primary meaning by Ma and Mizu- kami. ‘North’ is loan usage (Schuessler notes the two words were homophones in early Chinese), while (less likely) Mizukami treats as extended sense on basis that houses in ancient China were built facing south, so the backs of occupants faced north. MR2007:389; MS1995:v1:156-7; AS2007:246; KJ1970:960. Mnemonic: PEOPLE FLEE, TURNING THEIR BACKS ON THE NORTH 225 L5 毎 MAI, -goto each, every 6 strokes MAINICHIevery day MAIDOeach time higotodaily Traditional ; OBI . OBI views divided, taking the graph as depicting either a mother with hairpin (Ma, Ogawa), or plant, with 222 (‘mother’) as phonetic, with associated sense ‘abundant’ (Katō, Yamada, Tōdō); the latter seems the more persuasive. The meaning of ‘each, every’ is borrowed usage. MR2007:220; OT1968:548; KJ1970:756; YK1976:461; TA1965:166-8. Suggest taking elements as ‘person’ / 41 and ‘mother’ . Mnemonic: EACH AND EVERY PERSON HAS A MOTHER 226 L4 妹 MAI, imōto younger sister 8 strokes SHIMAIsisters imōtoBUNsworn sister REIMAIyour younger sister Semantic-phonetic compound found in OBI texts onwards . Has 37 ‘woman’, and 617 (‘immature’) as phonetic with associated sense ‘continuation’ (Katō, Yamada) or ‘small’ (Ogawa, Tōdō). KJ1970:868-9; YK1976:461; OT1968:256; TA1965:732-6. Mnemonic: YOUNGER SISTER IS AN IMMA- TURE WOMAN 227 L5 万 MAN, BAN, yorozu ten thousand, myriad 3 strokes GOMANfifty thousand BANJIall things yorozuyageneral dealer Formerly . OBI form is based on pictograph of a scorpion. Already in OBI was used as a loan to indicate a number (‘ten thousand/ large number’), and so, according to Qiu, another graph was then devised for ‘scorpion’, comprising and 60 ‘insect’. Traditionally (at least from the time of the early 11th century Guangyun dictionary) was seen as being a popular or vulgar equivalent for , but according to Katō, this is a loan use of , originally a separate graph (pictograph of type of aquatic plant), for ‘ten thousand’. MS1995:v2:1124-6; MR2007:512; QX2000:177; KJ1970:299-300,812; KZ2009:v1:2. We suggest taking as a ‘headless’ version of 223 in one of its meanings, ‘person’. Mnemonic: TEN THOUSAND HEADLESS PERSONS The 160 Second Grade Characters 101
228 L4 明 MEI, MYŌ, akarui, akari/keru/kasu clear, open, bright 8 strokes MEIHAKUclarity MYŌNICHItomorrow akegataday-break Occurs in two forms in OBI: a) and b) : a) – the dominant line of development – corresponding to 66 ‘sun’ and 18 ‘moon’, as in modern Japanese and Chinese script; b) made of ‘moon’ and an element which is taken either as ‘window’ (Qiu, Karlgren) or ‘light, bright’ (Katō, Yamada). QX2000:83, 192; BK1957:201; KJ1970:838; YK1976:468. Mnemonic: SUN AND MOON TOGETHER MAKE IT CLEAR AND BRIGHT 229 L3 鳴 MEI, naku/ru non-human sound 14 strokes MEIDŌrumbling nakigoeanimal cry narimonomusical instrument The modern graph has ‘mouth’ 22 and ‘bird’ 190, but based on OBI and bronze forms Katō takes the bird to be a cock. KJ1970:839; MR2007:297; OT1968:1150. Mnemonic: SOUNDS FROM A BIRD’S MOUTH ARE NOT HUMAN 230 L3 毛 MŌ, ke hair, fur 4 strokes YŌMŌwool kegawafur kemushicaterpillar Bronze forms such as show the graph is based on a tuft of fur or hair. SS1984:822; OT1968:549; YK1976:471. Mnemonic: FOUR STROKES FOR A TUFT OF HAIR 231 L4 門 MON, kado gate, door 8 strokes SEIMONmain gate MONBANdoorman kadodedeparture Based on pictograph of a closed double gate or door; OBI form . MR2007:457; SS1984:824-5; OT1968:1055. Mnemonic: A DOUBLE-DOORED GATE 232 夜 YA, yo, yoru night L4 8 strokes YAKŌSEInocturnal yoakedawn yoruhirunight and day Bronze form has 46 ‘moon’ (later ‘evening’), and the NJK (‘again’) as phonetic (associated sense disputed). Tōdō includes in a word-family meaning ‘alternating shape or pattern’, in this case night and day. KJ1970:89; YK1976:473; TA1965:332-6. We suggest taking as a top-hat, ‘person’ 41, ‘moon’ , and an extra stroke. Mnemonic: PERSON PUTS TOP HAT ON AT NIGHT TO AVOID MOON-STROKE 102 The 160 Second Grade Characters
- Page 52 and 53: 14 休 KYŪ, yasumu rest(ing) L5 6
- Page 54 and 55: 23 L5 校 KŌ school, check 10 stro
- Page 56 and 57: 33 L5 車 SHA, kuruma vehicle 7
- Page 58 and 59: 43 L4 GAKUSEI student ISSH
- Page 60 and 61: 51 L5 52 L4 先 SEN, saki prior,
- Page 62 and 63: 59 L5 中 4 CHŪ, naka middle, insi
- Page 64 and 65: 68 年 NEN, toshi year L5 6 strokes
- Page 66 and 67: 76 L5 目 5 MOKU, me, ma eye, look,
- Page 68 and 69: 85 遠 EN, tōi distant L4 13 strok
- Page 70 and 71: 93 L5 会 KAI, E, au meet 6 stro
- Page 72 and 73: 101 L3 丸 3 GAN, maru, marui round
- Page 74 and 75: 110 L4 111 L4 京 KYŌ, KEI c
- Page 76 and 77: 118 L5 言 GEN, GON, koto, iu wo
- Page 78 and 79: 126 L3 公 KŌ, ōyake public, fair
- Page 80 and 81: 134 合 GŌ, KATSU, au/waseru Alter
- Page 82 and 83: 142 L3 算 SAN reckon, count 14
- Page 84 and 85: 150 L4 自 JI, SHI, mizukara sel
- Page 86 and 87: 158 春 SHUN, haru of ‘forest’.
- Page 88 and 89: 166 L4 親 SHIN, oya, shitashii
- Page 90 and 91: 174 L3 雪 SETSU, yuki snow 11 stro
- Page 92 and 93: 182 L4 体 TAI, TEI, karada body 7
- Page 94 and 95: 190 L4 鳥 CHŌ, tori bird 11 st
- Page 96 and 97: 199 冬 TŌ, fuyu winter L4 5 strok
- Page 98 and 99: 207 L3 内 NAI, DAI, uchi inside
- Page 100 and 101: 215 L3 番 BAN number, guard, tu
- Page 104 and 105: 233 L4 234 L5 野 YA, no moor
- Page 106 and 107: THE 200 THIRD GRADE CHARACTERS 241
- Page 108 and 109: 249 L4 院 IN institute 10 strok
- Page 110 and 111: 258 L3 HENKAchange KESHŌmake-u
- Page 112 and 113: 267 L3 岸 GAN, kishi bank, shor
- Page 114 and 115: 276 L4 去 KYO, KO, saru go, leave,
- Page 116 and 117: 285 L3 君 KUN, kimi lord, you, Mr
- Page 118 and 119: 294 向 KŌ, muku/keru/kau/kō turn
- Page 120 and 121: 303 L4 使 SHI, tsukau use, serv
- Page 122 and 123: 311 L3 式 SHIKI ceremony, form 6 s
- Page 124 and 125: 319 受 JU, ukeru receive L3 8 stro
- Page 126 and 127: 327 L3 宿 SHUKU, yado(ru) lodge, s
- Page 128 and 129: 335 L3 勝 SHŌ, katsu, masaru win,
- Page 130 and 131: 343 L4 進 SHIN, susumu/meru advanc
- Page 132 and 133: 351 L3 息 10 SOKU, iki breath, res
- Page 134 and 135: 359 第 DAI grade, order L3 11 stro
- Page 136 and 137: 367 丁 CHŌ, TEI block , exact L1
- Page 138 and 139: 375 転 TEN, korogeru/garu rotate,
- Page 140 and 141: 383 等 TŌ, hitoshii, nado class,
- Page 142 and 143: 391 L3 畑 hata, hatake (dry-) f
- Page 144 and 145: 400 L3 筆 HITSU, fude writing brus
- Page 146 and 147: 408 L4 服 FUKU clothes, yield,
- Page 148 and 149: 415 L4 味 MI, aji, ajiwau taste
- Page 150 and 151: 423 有 YŪ, U, aru have, exist L4
228<br />
L4<br />
明<br />
MEI, MYŌ, akarui,<br />
akari/keru/kasu<br />
clear, open, bright<br />
8 strokes<br />
MEIHAKUclarity<br />
MYŌNICHItomorrow<br />
akegataday-break<br />
Occurs in two forms in OBI: a) and b) :<br />
a) – the dominant line of development – corresponding<br />
to 66 ‘sun’ and 18 ‘moon’, as in<br />
modern Japanese and Chinese script; b) made<br />
of ‘moon’ and an element which is taken either<br />
as ‘window’ (Qiu, Karlgren) or ‘light, bright’<br />
(Katō, Yamada). QX2000:83, 192; BK1957:201;<br />
KJ1970:838; YK1976:468.<br />
Mnemonic: SUN AND MOON TOGETHER<br />
MAKE IT CLEAR AND BRIGHT<br />
229<br />
L3<br />
鳴<br />
MEI, naku/ru<br />
non-human sound<br />
14 strokes<br />
MEIDŌrumbling<br />
nakigoeanimal cry<br />
narimonomusical instrument<br />
The modern graph has ‘mouth’ 22 and ‘bird’<br />
190, but based on OBI and bronze forms<br />
Katō takes the bird to be a cock. KJ1970:839;<br />
MR2007:297; OT1968:1150.<br />
Mnemonic: SOUNDS FROM A BIRD’S MOUTH<br />
ARE NOT HUMAN<br />
230<br />
L3<br />
<br />
<br />
<br />
毛<br />
MŌ, ke<br />
hair, fur<br />
4 strokes<br />
YŌMŌwool<br />
kegawafur<br />
kemushicaterpillar<br />
Bronze forms such as show the graph is<br />
based on a tuft of fur or hair. SS1984:822;<br />
OT1968:549; YK1976:471.<br />
Mnemonic: FOUR STROKES FOR A TUFT OF<br />
HAIR<br />
231<br />
L4<br />
<br />
<br />
<br />
門<br />
MON, kado<br />
gate, door<br />
8 strokes<br />
SEIMONmain gate<br />
MONBANdoorman<br />
kadodedeparture<br />
Based on pictograph of a closed double gate or<br />
door; OBI form . MR2007:457; SS1984:824-5;<br />
OT1968:1055.<br />
Mnemonic: A DOUBLE-DOORED GATE<br />
232<br />
夜<br />
YA, yo, yoru<br />
night<br />
L4<br />
8 strokes<br />
YAKŌSEInocturnal<br />
yoakedawn<br />
yoruhirunight and day<br />
Bronze form has 46 ‘moon’ (later ‘evening’),<br />
and the NJK (‘again’) as phonetic<br />
(associated sense disputed). Tōdō includes in<br />
a word-family meaning ‘alternating shape or<br />
pattern’, in this case night and day. KJ1970:89;<br />
YK1976:473; TA1965:332-6. We suggest taking<br />
as a top-hat, ‘person’ 41, ‘moon’ , and<br />
an extra stroke.<br />
Mnemonic: PERSON PUTS TOP HAT ON AT<br />
NIGHT TO AVOID MOON-STROKE<br />
102 The 160 Second Grade Characters