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Chapter 19: Ten (Plus One) Must-Have Blues Guitar Albums<br />

327<br />

12 of Waters’s best songs, including his R&B chart successes “I’m Your Hoochie<br />

Coochie Man,” “Long Distance Call,” “I’m Ready,” “Honey Bee,” “I Just Wanna<br />

Make Love to You,” “Still a Fool,” and “Rollin’ Stone” — the song which<br />

inspired publisher Jann Wenner to name his music magazine. Chapter 12<br />

contains more info on Waters.<br />

B.B. King: Live at the Regal<br />

MCA, 1965. Live at the Regal is one of the best live blues albums of all time,<br />

and it showcases B.B. King’s spectacular guitar work, piercing voice, and<br />

talent for working a live theater audience. The gems found in this treasure<br />

chest include “Every Day I Have the Blues,” “Sweet Little Angel,” “How Blue<br />

Can You Get,” “Worry, Worry,” and “You Upset Me Baby.” If you ever forget<br />

that the blues is best served up as a live listening experience, go back to this<br />

album and to King as he tears the joint up. Check out Chapter 12 for more<br />

information on King.<br />

The Very Best of Buddy Guy<br />

Rhino, 1992. Buddy Guy’s long career is captured well on this Rhino compilation,<br />

which includes songs from Guy’s multi-label associations — Chess and<br />

Vanguard in the ’60s and Atlantic in the ’70s. The music shows off the varied<br />

selection of the different styles that Buddy trafficked in (funk, R&B), and this<br />

disc highlights Guy’s incredible range in the early and middle part of his<br />

career. Along with Otis Rush and Muddy Waters, Buddy Guy was one of the<br />

architects of the Chicago sound (and, along with Rush and Magic Sam, known<br />

as a leader of the “West Side” school of blues).<br />

Robert Cray: Bad Influence<br />

Mercury, 1986. Robert Cray’s versatility really shines on this album, especially<br />

in the canny way he pays homage to his influences Johnnie “Guitar”<br />

Watson, Albert Collins, and Buddy Guy. Cray proved here, and in subsequent<br />

releases, to be a triple threat in songwriting, singing, and playing, and he’s in<br />

a class by himself for finding the right formula to bring the traditional blues<br />

into the modern era.<br />

TEAM LinG

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