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312 Part V: Gearing Up: Outfitting Your Arsenal TEAM LinG<br />

5. Turn the tuning key so the string wraps around the post.<br />

For inline tuners, turn the keys so that all six posts rotate counterclockwise.<br />

For split tuners, turn the three lower-string (six, five, and four)<br />

tuning posts counterclockwise, and the three upper-string (three, two,<br />

and one) tuning posts clockwise. Following this procedure ensures that<br />

the strings wrap from the middle of the neck over the top of the post<br />

and to the outside, as shown in Figure 16-8.<br />

Figure 16-8:<br />

Wrapping<br />

the strings<br />

in the<br />

proper<br />

direction.<br />

6. As you turn the key and wind the string around the post, make sure<br />

that it coils from the top of the post downward toward the headstock<br />

surface, as shown in Figure 16-9.<br />

Use your other hand (the one not turning the key) to create tight, gapless<br />

winds on the post.<br />

If you have too much string, you’ll run out of room on the post before<br />

the string is tightened up to pitch. If that happens, simply loosen the<br />

string, pull a little more string through the post hole, re-kink the string,<br />

and begin the winding process again.<br />

7. Keep turning the tuning key.<br />

As you turn the key, the coils around the post tighten, the slack in the<br />

string disappears, and the string begins to produce a recognizable musical<br />

pitch. Be sure that the string is inside the appropriate nut slot before<br />

the string becomes too taught to manipulate it further.

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