238658923659
296 Part V: Gearing Up: Outfitting Your Arsenal TEAM LinG Digital reverb sections: This effect is a more complex electronic circuitry than a spring reverb and offers more control, such as time, feedback, and level. Use a digital reverb for more realistic ambient sounds than a spring reverb can provide or when you want more control over the individual reverb parameters. Outboard units: The guitarist interested in taking advantage of the best of digital modeling technology may want to go with an outboard unit (usually in the form of a pedal) and not the circuitry built into the amp. Choosing an Effects Format Effects are essential to creating a variety of sounds, but some guitarists rely more on them than others. If you use only an occasional one or two effects, you can get away with a couple of stomp boxes (the nickname for small pedals). But the more you employ effects into your sound and the more particular you get, the more you need to consider the different available formats, or physical setups, for incorporating effects into your arsenal. A string of effects: Pedals on parade The most popular format for individual effects is the pedal, or so-called stomp box. This often-inexpensive effect is usually a box the size of a deck of playing cards that you turn on and off with your foot (by “stomping” on it). Stomp boxes are usually single-function devices that connect together in daisy-chain fashion, with short patch cords. Figure 15-18 shows a collection of stomp boxes and the cables that connect them. Figure 15-18: The stomp box solution.
- Page 576: Chapter 15: Choosing Your Amp and E
- Page 580: Chapter 15: Choosing Your Amp and E
- Page 584: Chapter 15: Choosing Your Amp and E
- Page 588: Chapter 15: Choosing Your Amp and E
- Page 592: Chapter 15: Choosing Your Amp and E
- Page 596: Chapter 15: Choosing Your Amp and E
- Page 600: Chapter 15: Choosing Your Amp and E
- Page 604: Chapter 15: Choosing Your Amp and E
- Page 608: Chapter 15: Choosing Your Amp and E
- Page 612: Chapter 15: Choosing Your Amp and E
- Page 616: Chapter 15: Choosing Your Amp and E
- Page 620: Chapter 15: Choosing Your Amp and E
- Page 624: Chapter 15: Choosing Your Amp and E
- Page 630: 298 Part V: Gearing Up: Outfitting
- Page 634: 300 Part V: Gearing Up: Outfitting
- Page 638: 302 Part V: Gearing Up: Outfitting
- Page 642: 304 Part V: Gearing Up: Outfitting
- Page 646: 306 Part V: Gearing Up: Outfitting
- Page 650: 308 Part V: Gearing Up: Outfitting
- Page 654: 1. Pull on the string, gently but f
- Page 658: 312 Part V: Gearing Up: Outfitting
- Page 662: 314 Part V: Gearing Up: Outfitting
- Page 666: In this part . . . The Part of Tens
- Page 670: 318 Part VI: The Part of Tens Elmor
- Page 674: 320 Part VI: The Part of Tens TEAM
296 Part V: Gearing Up: Outfitting Your Arsenal TEAM LinG<br />
Digital reverb sections: This effect is a more complex electronic circuitry<br />
than a spring reverb and offers more control, such as time, feedback,<br />
and level. Use a digital reverb for more realistic ambient sounds<br />
than a spring reverb can provide or when you want more control over<br />
the individual reverb parameters.<br />
Outboard units: The guitarist interested in taking advantage of the best<br />
of digital modeling technology may want to go with an outboard unit<br />
(usually in the form of a pedal) and not the circuitry built into the amp.<br />
Choosing an Effects Format<br />
Effects are essential to creating a variety of sounds, but some guitarists rely<br />
more on them than others. If you use only an occasional one or two effects,<br />
you can get away with a couple of stomp boxes (the nickname for small<br />
pedals). But the more you employ effects into your sound and the more particular<br />
you get, the more you need to consider the different available formats,<br />
or physical setups, for incorporating effects into your arsenal.<br />
A string of effects: Pedals on parade<br />
The most popular format for individual effects is the pedal, or so-called<br />
stomp box. This often-inexpensive effect is usually a box the size of a deck of<br />
playing cards that you turn on and off with your foot (by “stomping” on it).<br />
Stomp boxes are usually single-function devices that connect together in<br />
daisy-chain fashion, with short patch cords. Figure 15-18 shows a collection<br />
of stomp boxes and the cables that connect them.<br />
Figure 15-18:<br />
The stomp<br />
box solution.