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Chapter 15: Choosing Your Amp and Effects 287 Figure 15-13: The Marshall JTM 45. Marshall Plexi Super Lead 100 Built in the late ’60s, the Marshall Plexi Super Lead 100 had changed from the 6L6 power tube (used in Fender amps) to the EL34, further distinguishing it from its American rival, and establishing the Marshall crunch sound versus the twangy Fender sound. The Marshall crunch sound can be described as more distorted and clipped than Fender’s distorted sound. The much-copied Marshall sound later became more generally known as the “British sound.” The Super Lead 100 wasn’t only loud, it sounded great, especially for blues rockers looking for an edgy and distorted sound. Jimi Hendrix liked to rock out on the Super Lead, and so did Eddie Van Halen on the first two Van Halen albums. TEAM LinG
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Chapter 15: Choosing Your Amp and Effects<br />
287<br />
Figure 15-13:<br />
The<br />
Marshall<br />
JTM 45.<br />
Marshall Plexi Super Lead 100<br />
Built in the late ’60s, the Marshall Plexi Super Lead 100 had changed from the<br />
6L6 power tube (used in Fender amps) to the EL34, further distinguishing it<br />
from its American rival, and establishing the Marshall crunch sound versus<br />
the twangy Fender sound.<br />
The Marshall crunch sound can be described as more distorted and clipped<br />
than Fender’s distorted sound. The much-copied Marshall sound later<br />
became more generally known as the “British sound.”<br />
The Super Lead 100 wasn’t only loud, it sounded great, especially for blues<br />
rockers looking for an edgy and distorted sound. Jimi Hendrix liked to rock<br />
out on the Super Lead, and so did Eddie Van Halen on the first two Van Halen<br />
albums.<br />
TEAM LinG