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266 Part V: Gearing Up: Outfitting Your Arsenal Compromising and accepting change You may find yourself in a situation where you can’t get exactly what you want in a guitar. The more research you do, the more you know what your ideal guitar is — and not just the guitar’s make and model but everything about it: its condition, its color, the hardware it sports, and the selling price. When you venture out into the real world, though, the reality doesn’t always live up to the vision. When that happens, be prepared to compromise. You may want to spend $500, and the store you visit charges $600. Or the price isn’t an issue, but you want a blue guitar, and the only available models are in black and red. Keep in mind that if either of these scenarios occurs, neither one affects the sound or playability of the guitar. But it’s a setback. You can either adjust your thinking or walk away and wait until the right deal comes along. Maybe you can solve the problem by ordering online and waiting a week or two. But then you won’t have a guitar in hand. And you won’t be able to evaluate it before purchasing it. No one said this would be easy. That’s when you have to accept the detours in the journey and just go with it. But shopping is fun, and coming to terms with the models that are there in the flesh is part of the process. Research has a way of making you build up your expectations — sort of like creating the perfect mate on paper. It may not work out the way you planned (except of course in my case), but it works out, and you wouldn’t have it any other way. Soft cases A soft case isn’t really soft; it’s firm — like the way a shoebox is firm. And that’s because it’s made of stuff not much stronger than a shoebox. In very predictable, controlled situations you can transport your guitar from one place to another, and a soft case is fine, but it’s no substitute for a hard case. You can rest a notebook on top of your soft case, but a foot can go right through it! Gig bags Gig bags are convenient because they allow you to sling your guitar over your shoulder, leaving your hands free to carry something else or to hold on to a handrail. The bags are made of padded nylon or leather and offer minimal protection from scratches, but can’t fend off a major impact, like being stepped on or banging into a wall. Gig bags are essential for urban musicians who take taxis, subways, and buses and must park in lots blocks from their gigs. And they look really cool, too. TEAM LinG
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266<br />
Part V: Gearing Up: Outfitting Your Arsenal<br />
Compromising and accepting change<br />
You may find yourself in a situation where you<br />
can’t get exactly what you want in a guitar. The<br />
more research you do, the more you know what<br />
your ideal guitar is — and not just the guitar’s<br />
make and model but everything about it: its condition,<br />
its color, the hardware it sports, and the<br />
selling price. When you venture out into the real<br />
world, though, the reality doesn’t always live up<br />
to the vision.<br />
When that happens, be prepared to compromise.<br />
You may want to spend $500, and the store<br />
you visit charges $600. Or the price isn’t an<br />
issue, but you want a blue guitar, and the only<br />
available models are in black and red. Keep in<br />
mind that if either of these scenarios occurs,<br />
neither one affects the sound or playability of<br />
the guitar. But it’s a setback. You can either<br />
adjust your thinking or walk away and wait until<br />
the right deal comes along. Maybe you can<br />
solve the problem by ordering online and waiting<br />
a week or two. But then you won’t have a<br />
guitar in hand. And you won’t be able to evaluate<br />
it before purchasing it. No one said this<br />
would be easy.<br />
That’s when you have to accept the detours in<br />
the journey and just go with it. But shopping is<br />
fun, and coming to terms with the models that<br />
are there in the flesh is part of the process.<br />
Research has a way of making you build up your<br />
expectations — sort of like creating the perfect<br />
mate on paper. It may not work out the way<br />
you planned (except of course in my case),<br />
but it works out, and you wouldn’t have it any<br />
other way.<br />
Soft cases<br />
A soft case isn’t really soft; it’s firm — like the way a shoebox is firm. And<br />
that’s because it’s made of stuff not much stronger than a shoebox. In very<br />
predictable, controlled situations you can transport your guitar from one<br />
place to another, and a soft case is fine, but it’s no substitute for a hard case.<br />
You can rest a notebook on top of your soft case, but a foot can go right<br />
through it!<br />
Gig bags<br />
Gig bags are convenient because they allow you to sling your guitar over<br />
your shoulder, leaving your hands free to carry something else or to hold on<br />
to a handrail. The bags are made of padded nylon or leather and offer minimal<br />
protection from scratches, but can’t fend off a major impact, like being<br />
stepped on or banging into a wall. Gig bags are essential for urban musicians<br />
who take taxis, subways, and buses and must park in lots blocks from their<br />
gigs. And they look really cool, too.<br />
TEAM LinG