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Chapter 14: Shop Till You Drop: Buying the Right Guitar for You<br />

259<br />

Neck construction<br />

Electric guitar necks are defined by how they connect to the body (acoustic<br />

guitars are all the same with regard to the way their necks attach). Below are<br />

the three types of necks:<br />

Bolt-on: The neck attaches to the back of the guitar at the heel (the part<br />

of the neck that sticks out where the neck joins the body) with four or<br />

five bolts (a heel plate sometimes covers the bolt holes). Fender<br />

Stratocasters and Telecasters have bolt-on necks.<br />

Set in (or glued in): In this type of construction, the neck joins the body<br />

in a connected way with an unbroken finish covering the connection.<br />

The connection can’t be unbolted, because it’s glued in, and then finished<br />

over. The Gibson Les Paul and Paul Reed Smith models have<br />

set-in necks.<br />

Neck through body: This high-end construction has the neck in one<br />

long unit (although usually consisting of several pieces of wood glued<br />

together) that doesn’t stop at the body but continues all the way through<br />

to the tail of the guitar. This isn’t typically used for blues guitars but is a<br />

favorite for high-end rockers.<br />

Guitars with bolt-on necks are easier to produce than models with set-in<br />

necks and are therefore less expensive. But most people don’t base their<br />

guitar-purchasing decisions on how the neck attaches to the body. Just<br />

because one construction process is more advanced or expensive than<br />

another doesn’t mean that it’s necessarily better than other techniques.<br />

Materials<br />

One way to tell why a guitar is expensive or inexpensive is to simply look at<br />

the materials used. If the wood is rare or beautiful, or the fret inlays are<br />

abalone instead of plastic, chances are it’s an expensive, well-made guitar. It’s<br />

not that badly built guitars don’t use quality materials; it’s just that in reality<br />

you won’t see them.<br />

So while you shouldn’t judge a guitar only by its materials, it’s a good bet that<br />

the better materials (abalone inlays as opposed to plastic ones) wind up on<br />

better guitars — ones with construction methods and workmanship to<br />

match.<br />

Woods<br />

Guitar makers break woods down into categories, and the categories determine<br />

the wood’s quality and expense:<br />

TEAM LinG

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