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Chapter 14: Shop Till You Drop: Buying the Right Guitar for You 257 could be a hard decision if you have no idea what you want in a guitar. Then all the different makes and models and price ranges create a confusing, noisy blur. However, if you know exactly what you want — down to the color of the finish and whether you want black matte or gold hardware, the decision is easy. You just then have to shop for the best price. Most people don’t have it so hard or as easy as the preceding scenarios describe. Certainly if you have no idea what you want, you should do more research — read articles in magazines and online, visit discussion boards, and gaze at the guitars on the wall in the music shops. But even if you think you know the exact specs of your desired guitar, you’ll find that living in the real world forces you to adjust your expectations on some aspect — unless you’re willing to wait until you find exactly what you want and money is no object. Most experienced guitar shoppers learn to accept substitutions and variations when they occur. The more you know about guitars, the more accommodating you become to the many variations and different forms guitars appear in. Evaluating a Guitar This section helps to show you what to look for after you’ve narrowed down your choice to a particular make and model — or the best deal between a couple of different types. It may not change your mind about the guitar you’ve set your sights on, but you can gain perspective into how two similar guitars (except for, perhaps, the color) can be so different with respect to materials, workmanship, and options. You don’t have to have the eye of a jeweler (and sport one of those weird loupe thingies around your neck) to be a good judge of quality. If you have a little experience, you can tell just about all you need to know by playing a guitar for a while. A quality guitar looks good, plays in tune, frets easily, and holds up under abuse (the musical kind, anyway). What you’re actually responding to — if a guitar stands up to this scrutiny — are the following four categories in quality: Construction: The design and physical components of the system Materials: The type of wood, hardware, pickups, electronics, and other substances used Workmanship: The execution or quality of the building and construction Appointments: The non-functional parts that add to the look of the guitar, such as the fretboard inlay, binding (edging around the body and neck of the guitar), and decorative elements on the knobs and tuning keys Each category is explored in more detail in the following sections. TEAM LinG
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Chapter 14: Shop Till You Drop: Buying the Right Guitar for You<br />
257<br />
could be a hard decision if you have no idea what you want in a guitar. Then<br />
all the different makes and models and price ranges create a confusing, noisy<br />
blur. However, if you know exactly what you want — down to the color of the<br />
finish and whether you want black matte or gold hardware, the decision is<br />
easy. You just then have to shop for the best price.<br />
Most people don’t have it so hard or as easy as the preceding scenarios<br />
describe. Certainly if you have no idea what you want, you should do more<br />
research — read articles in magazines and online, visit discussion boards,<br />
and gaze at the guitars on the wall in the music shops. But even if you think<br />
you know the exact specs of your desired guitar, you’ll find that living in the<br />
real world forces you to adjust your expectations on some aspect — unless<br />
you’re willing to wait until you find exactly what you want and money is no<br />
object. Most experienced guitar shoppers learn to accept substitutions and<br />
variations when they occur.<br />
The more you know about guitars, the more accommodating you become to<br />
the many variations and different forms guitars appear in.<br />
Evaluating a Guitar<br />
This section helps to show you what to look for after you’ve narrowed down<br />
your choice to a particular make and model — or the best deal between a<br />
couple of different types. It may not change your mind about the guitar<br />
you’ve set your sights on, but you can gain perspective into how two similar<br />
guitars (except for, perhaps, the color) can be so different with respect to<br />
materials, workmanship, and options.<br />
You don’t have to have the eye of a jeweler (and sport one of those weird<br />
loupe thingies around your neck) to be a good judge of quality. If you have a<br />
little experience, you can tell just about all you need to know by playing a<br />
guitar for a while. A quality guitar looks good, plays in tune, frets easily, and<br />
holds up under abuse (the musical kind, anyway). What you’re actually<br />
responding to — if a guitar stands up to this scrutiny — are the following four<br />
categories in quality:<br />
Construction: The design and physical components of the system<br />
Materials: The type of wood, hardware, pickups, electronics, and other<br />
substances used<br />
Workmanship: The execution or quality of the building and construction<br />
Appointments: The non-functional parts that add to the look of the guitar,<br />
such as the fretboard inlay, binding (edging around the body and neck of<br />
the guitar), and decorative elements on the knobs and tuning keys<br />
Each category is explored in more detail in the following sections.<br />
TEAM LinG