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The Allmans, especially brother Duane The original Allmans featured two excellent guitarists, Duane Allman and Dickey Betts. Both men could play the heck out of a 12-bar blues, but in Duane’s brief career, he shined most on slide guitar (see Figure 13-5 for a slide solo, Allman-style). Allman’s stylistic hallmarks were rapid up-and-down slides into and out of eighth notes, plus a penchant for throwing in large, unexpected melodic leaps to keep listeners on their toes. His exceptional slide work can be heard all over the famous At Fillmore East live album from 1971, especially on the blues masterpiece “Statesboro Blues.” He died shortly thereafter, but his slide work was so ahead of its time that he set the bottleneck standard for the next 25 years. Track 93 Shuffle (qr=qce) D7 * 3 10 T 10 A B 10 *Open E tuning: E B E G B E, low to high. 15 14 8 10 10 10 10 8 8 3 10 8 3 3 9 10 9 10 8 10 10 8 10 10 10 10 10 10 8 10 8 10 10 10 Figure 13-5: A slide riff in the style of the great Duane Allman. 244 Part IV: Sounding Like the Masters: Blues Styles through the Ages TEAM LinG 10 15 13 8 10 10 10 8 10 14 10 10 10 10 7 4 6 6 5

The Allmans, especially brother Duane<br />

The original Allmans featured two excellent guitarists, Duane Allman and<br />

Dickey Betts. Both men could play the heck out of a 12-bar blues, but in<br />

Duane’s brief career, he shined most on slide guitar (see Figure 13-5 for a<br />

slide solo, Allman-style). Allman’s stylistic hallmarks were rapid up-and-down<br />

slides into and out of eighth notes, plus a penchant for throwing in large,<br />

unexpected melodic leaps to keep listeners on their toes. His exceptional<br />

slide work can be heard all over the famous At Fillmore East live album from<br />

1971, especially on the blues masterpiece “Statesboro Blues.” He died shortly<br />

thereafter, but his slide work was so ahead of its time that he set the bottleneck<br />

standard for the next 25 years.<br />

Track 93<br />

Shuffle<br />

(qr=qce)<br />

D7<br />

*<br />

3<br />

10<br />

T<br />

10<br />

A<br />

B<br />

10<br />

*Open E tuning: E B E G B E, low to high.<br />

15 14 8 10 10<br />

10<br />

10 8<br />

8<br />

3<br />

10<br />

8<br />

3<br />

3<br />

9 10 9 10 8<br />

10 10<br />

8<br />

10 10<br />

10<br />

10 10<br />

10 8 10 8<br />

10 10 10<br />

Figure 13-5:<br />

A slide riff in<br />

the style of<br />

the great<br />

Duane<br />

Allman.<br />

244 Part IV: Sounding Like the Masters: Blues Styles through the Ages TEAM LinG<br />

10 15 13 8<br />

10 10<br />

10 8 10 14<br />

10 10 10<br />

10<br />

7<br />

4 6 6<br />

5

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