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Chapter 13: Blues Rock: The Infusion of Ol’ Rock ’n’ Roll<br />

235<br />

Track 89<br />

A<br />

T<br />

5 7<br />

6<br />

A<br />

B<br />

5 5 5 5 5 5 5 5<br />

5 5 5 5 5 5 5 5<br />

5 5 5 5 5 7 5<br />

7 5 7<br />

5 5<br />

5 7 5 5 7 5<br />

7 5 7 5<br />

7<br />

7<br />

7<br />

7<br />

D<br />

5 5 5 8 8 5 8 5<br />

5 5 5 7 7 5 7 5<br />

1 1 1 1 1<br />

5 5<br />

7 7 7<br />

5 5 5<br />

7 7 7<br />

A<br />

E<br />

1<br />

7<br />

1 1 1 1 1<br />

5 5 5<br />

7 7<br />

5 5<br />

7 7 7<br />

8 7 5<br />

5 8 7 5 8 7 5<br />

7 8 7 5<br />

D<br />

A<br />

E<br />

Figure 13-1:<br />

A I-IV-V<br />

progression<br />

in the Chuck<br />

Berry style.<br />

1/2 1/2<br />

7 7 7 7 5<br />

7 7 7 7 5 5<br />

7 7<br />

7 5 7 5<br />

6 7 5 6 7 5 6<br />

7 7 7<br />

7 7<br />

5<br />

Bo Diddley, king of the jungle beat<br />

Guitarist Bo Diddley, meanwhile, picked up a rectangular Gretsch electric and<br />

strummed a syncopated chord rhythm, later known as the Bo Diddley beat.<br />

This jungle beat (along with a heavy, throbbing drum sound), also known as<br />

the “Burundi beat,” became another ’50s guitar staple, turning up in hits like<br />

“Hey Bo Diddley” and Diddley’s eponymous hit, “Bo Diddley.”<br />

TEAM LinG

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