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Chapter 12: The Birth and Growth of Classic Electric Blues<br />

231<br />

Figure 12-11 shows an open A (E, A, E, A, C#, E, low to high) slide solo in the<br />

accessible style of Bonnie Raitt. To capture Raitt’s quality, play your slide<br />

melody lines as if they were beautiful vocal melodies — taking to let each<br />

note ring for its full duration and applying judicious use of scoops and falloffs<br />

the way a torch-singing balladeer would.<br />

Track 87<br />

Shuffle (qr=qce)<br />

A7<br />

Dm<br />

1<br />

T<br />

A<br />

B<br />

13<br />

12<br />

10<br />

10 12 12 12 10<br />

A7<br />

Dm<br />

13 13 13<br />

13 15<br />

14 12 10 10<br />

12 12<br />

A7<br />

Dm<br />

Gm<br />

1 1<br />

13 15 13 13<br />

14<br />

15 15<br />

1 1 1<br />

13 15 15 13 15 15<br />

Figure 12-10:<br />

Robert<br />

Cray’s<br />

tasteful and<br />

economical<br />

lead<br />

approach.<br />

Dm<br />

1<br />

1/4<br />

15 13 13<br />

15 15 13 15 12 12<br />

15 15 12 12 15<br />

TEAM LinG

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