238658923659

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Part I You Got a Right to Play the Blues TEAM LinG

Page 1 and 2: TEAM LinG

Page 4: Blues Guitar FOR DUMmIES‰ by Jon

Page 8: About the Author Jon Chappell is a

Page 12: Contents at a Glance Introduction .

Page 16: Table of Contents Introduction.....

Page 20: Table of Contents ix Playing E-base

Page 24: Table of Contents xi Five Positions

Page 28: Table of Contents xiii 21st-Century

Page 32: Table of Contents xv Muddy Waters (

Page 36: Introduction As B.B. King might say

Page 40: Introduction 3 Right hand and left

Page 44: Introduction 5 discover the acousti

Page 50: In this part . . . “Woke up this

Page 54: 10 Part I: You Got a Right to Play
















Page 118: Getting sound to come out All the p







Page 146: In this part . . . Part II gets you

Page 150: 58 Part II: Setting Up to Play the









Page 186: Figure 5-4 is a simple pick-strum p

Page 190: The 12/8 groove The 12/8 groove is



Page 202: Track 11 E7 A7 T A B P.M. P.M. P.M.


Page 210: Shuffle (qr=qce) E7 A/E N.C. E7 A/E



Page 222: The two-beat feel The two-beat feel

Page 226: (continued) A7 5fr. A 7 4fr. E7 5fr




Page 242: Track 20 N. C. 1324 6fr. A9 1324 4f

Page 246: The 8-bar blues The 8-bar blues is


Page 254: Track 24 (qr=qce) G G6 G G6 C C6 C

Page 258: Track 25 Shuffle (qr=qce) A5 A6 A5


Page 266: Figure 6-15: A two-bar turnaround w




Page 282: Track 32, 0:00 Figure 7-4: An eight

Page 286: The 5-6 riff is a blues-rhythm hall

Page 290: Track 34 Shuffle (qr=qce) A 3 T A B

Page 294: Intro, turnaround, and ending riffs

Page 298: If the double strikes in the bass g

Page 302: Track 37, 0:33 Figure 7-19: A low-n


Page 310: In this part . . . This part dives

Page 314: 140 Part III: Beyond the Basics: Pl

Page 318: Figure 8-2 features two notes — t



Page 330: Track 45 Shuffle (qr=qce) E7 A7 E7

Page 334: Track 46 E7 A7 E7 T A B 0 0 0 0 3 2

Page 338: Track 47 Shuffle Figure 8-10: The m




Page 354: After you practice Figure 9-3 a bit

Page 358: 8fr. Track 50, 0:12 Figure 9-6: A l

Page 362: phrase. Slides are covered in more





Page 382: Super blues star Buddy Guy is a mas



Page 394: Track 58, 0:00 Figure 10-6: Three t

Page 398: Track 59, 0:14 Figure 10-9: Pull-of


Page 406: Releasing right on time Letting go

Page 410: Track 63 Shuffle (qr=qce) A7 D7 5 7


Page 418: In this part . . . Part IV contains

Page 422: 194 Part IV: Sounding Like the Mast

Page 426: Track 65 Shuffle (qr=qce) E7 3 A7 3

Page 430: Robert Johnson’s music embodied t




Page 446: Track 71 Shuffle (qr=qce) C G7 C Fi


Page 454: Open tunings favor the technical si

Page 458: Open D has the same relationships b



Page 470: Muddy Waters, leader of the pack Bo


Page 478: Shuffle (qr=qce) A7 Track 82 T A B


Page 486: Figure 12-8 shows an example of how



Page 498: Shuffle (qr=qce) A7 E7 Track 88 wit




Page 514: funk style into a true psychedelic

Page 518: Track 92 Am G 1 5 8 5 8 5 T 7 7 7 5

Page 522: The Allmans, especially brother Dua

Page 526: You can hear him trade red-hot blue

Page 530: Track 95 Shuffle (qr=qce) A * w/pic



Page 542: In this part . . . There’s more t

Page 546: 256 Part V: Gearing Up: Outfitting



























Page 654: 1. Pull on the string, gently but f



Page 666: In this part . . . The Part of Tens

Page 670: 318 Part VI: The Part of Tens Elmor

Page 674: 320 Part VI: The Part of Tens TEAM



Page 686: 326 Part VI: The Part of Tens Blues

Page 690: 328 Part VI: The Part of Tens Maste

Page 694: In this part . . . The Appendixes p

Page 698: The Elements of Music Notation Figu

Page 702: 334 Part VII: Appendixes TEAM LinG




Page 718: 342 Part VII: Appendixes Using the




Page 734: 350 Blues Guitar For Dummies TEAM L








Page 766: 5. Limited Warranty. (a) WPI warran

Page 770: SPORTS, FITNESS, PARENTING, RELIGIO

blues

ling

chord

chords

acoustic

dummies

guitars

shuffle

tuning

pentatonic

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