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Shuffle (qr=qce) A7 Track 82 T A B 7 1 3 3 3 3 5 7 5 5 5 8 5 5 8 5 5 222 Part IV: Sounding Like the Masters: Blues Styles through the Ages TEAM LinG 3 3 3 3 1/2 1/2 5 8 5 5 8 5 8 5 7 7 5 Figure 12-5: A passage in the style of guitar great Buddy Guy. 3 3 3 1 1/2 5 5 8 5 7 7 7 5 7 7 7 7 5 7 Modern-Day Blues Styles: The Sounds of Texas As the blues grew up, it developed its own regional flavors beyond the already established locales of the Delta and Piedmont. So of course, Texas, being such a large and diverse state, has a sound and culture all its own when it comes to the blues. Of all the big blues regions, Texas, by virtue of its size (both geographically and in population) and blues hotspots like Austin, Houston, and Dallas, still retain a meaningful connotation in modern-day blues styles. It’s important to distinguish a sound as defined by a region (Texas versus Delta) instead of simply a performer who hailed from that part of the country. For example, T-Bone Walker was from Texas, but he developed his jazzy style when he was living in Los Angeles. His sound isn’t so much Texas as it is smooth West-Coast urban. And speaking of the Lone Star State, when you say “Texas shuffle” to people attuned to the regional dialects of the blues, they instantly think of the many attributes of the shuffle: Rhythm: The rhythm section swung harder, influencing the lead guitarists’ approach to their solos. Swing: The Texas Shuffle has more swing than the slow grind of a Delta blues or the bouncy ragtime of the Piedmont.
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Shuffle (qr=qce)<br />
A7<br />
Track 82<br />
T<br />
A<br />
B<br />
7<br />
1<br />
3 3 3 3<br />
5 7 5 5<br />
5 8 5 5 8 5 5<br />
222 Part IV: Sounding Like the Masters: Blues Styles through the Ages TEAM LinG<br />
3<br />
3 3<br />
3<br />
1/2<br />
1/2<br />
5 8 5 5<br />
8 5 8 5<br />
7 7 5<br />
Figure 12-5:<br />
A passage<br />
in the style<br />
of guitar<br />
great<br />
Buddy Guy.<br />
3 3<br />
3<br />
1 1/2<br />
5<br />
5 8 5<br />
7 7 7 5<br />
7 7 7 7 5<br />
7<br />
Modern-Day Blues Styles:<br />
The Sounds of Texas<br />
As the blues grew up, it developed its own regional flavors beyond the<br />
already established locales of the Delta and Piedmont. So of course, Texas,<br />
being such a large and diverse state, has a sound and culture all its own when<br />
it comes to the blues. Of all the big blues regions, Texas, by virtue of its size<br />
(both geographically and in population) and blues hotspots like Austin,<br />
Houston, and Dallas, still retain a meaningful connotation in modern-day<br />
blues styles.<br />
It’s important to distinguish a sound as defined by a region (Texas versus<br />
Delta) instead of simply a performer who hailed from that part of the country.<br />
For example, T-Bone Walker was from Texas, but he developed his jazzy style<br />
when he was living in Los Angeles. His sound isn’t so much Texas as it is<br />
smooth West-Coast urban.<br />
And speaking of the Lone Star State, when you say “Texas shuffle” to people<br />
attuned to the regional dialects of the blues, they instantly think of the many<br />
attributes of the shuffle:<br />
Rhythm: The rhythm section swung harder, influencing the lead guitarists’<br />
approach to their solos.<br />
Swing: The Texas Shuffle has more swing than the slow grind of a Delta<br />
blues or the bouncy ragtime of the Piedmont.