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Muddy Waters, leader of the pack Born in Jug’s Corner, Mississippi, in 1915, Muddy Waters (birth name McKinley Morganfield) came north to Chicago in 1945 and became the leader of Chicago’s South Side blues scene. A large and imposing man, Waters dominated the stage, the scene, and the entire city in all things blues. He had talented contemporaries, like Howlin’ Wolf and Sonny Boy Williamson II, but no single person is more associated with the Chicago sound than Muddy. He had everything: A guitar style that included both percussive, stinging single-note Delta riffs An aggressive bone-chilling slide technique A big raspy singing voice A commanding stage presence A long and prolific performing and recording career Plus, he was one of the very few who played acoustic in Mississippi and electric in Chicago, single-handedly leading the charge to bridge the two styles. Truth is, though, that Muddy was important for his historical contributions, being first on the scene, and for bringing his brand of a hopped-up Delta sound into a large-ensemble setting. Figure 12-2 shows an electric guitar passage in the style of Muddy Waters with both riff playing and straight-picking lines represented. Shuffle (qr=qce) E7 Track 79 T A B 0 0 4 2 0 2 0 2 4 4 2 2 4 4 0 0 0 0 0 0 0 Figure 12-2: A passage in the style of Muddy Waters. 0 0 4 2 0 2 0 2 218 Part IV: Sounding Like the Masters: Blues Styles through the Ages TEAM LinG 1/4 1/2 1/4 7 7 7 7 8 8 8 8 0 0 1/2
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Muddy Waters, leader of the pack<br />
Born in Jug’s Corner, Mississippi, in 1915, Muddy Waters (birth name<br />
McKinley Morganfield) came north to Chicago in 1945 and became the leader<br />
of Chicago’s South Side blues scene. A large and imposing man, Waters dominated<br />
the stage, the scene, and the entire city in all things blues. He had talented<br />
contemporaries, like Howlin’ Wolf and Sonny Boy Williamson II, but no<br />
single person is more associated with the Chicago sound than Muddy.<br />
He had everything:<br />
A guitar style that included both percussive, stinging single-note Delta riffs<br />
An aggressive bone-chilling slide technique<br />
A big raspy singing voice<br />
A commanding stage presence<br />
A long and prolific performing and recording career<br />
Plus, he was one of the very few who played acoustic in Mississippi and electric<br />
in Chicago, single-handedly leading the charge to bridge the two styles.<br />
Truth is, though, that Muddy was important for his historical contributions,<br />
being first on the scene, and for bringing his brand of a hopped-up Delta<br />
sound into a large-ensemble setting.<br />
Figure 12-2 shows an electric guitar passage in the style of Muddy Waters<br />
with both riff playing and straight-picking lines represented.<br />
Shuffle (qr=qce)<br />
E7<br />
Track 79<br />
T<br />
A<br />
B<br />
0<br />
0<br />
4 2 0<br />
2 0<br />
2<br />
4 4 2 2 4 4<br />
0 0 0 0 0 0 0<br />
Figure 12-2:<br />
A passage<br />
in the style<br />
of Muddy<br />
Waters.<br />
0<br />
0<br />
4 2 0<br />
2 0<br />
2<br />
218 Part IV: Sounding Like the Masters: Blues Styles through the Ages TEAM LinG<br />
1/4<br />
1/2<br />
1/4<br />
7 7 7 7<br />
8 8<br />
8 8<br />
0 0<br />
1/2