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Chapter 11: Acoustic Roots: Delta Blues and Its Country Cousins<br />

211<br />

Open E and open D tuning<br />

Open tunings have many technical advantages over standard tuning. The<br />

most prevalent is that an open tuning provides a major chord across all six<br />

strings, so holding the slide straight across at any fret yields a chord on any<br />

set of strings.<br />

Open E (E, B, E, G#, B, E, low to high) is close to standard tuning because the<br />

top two strings are tuned the same, and many blues slide licks lie well in this<br />

tuning, because they require only slight movement of a couple of frets above<br />

or below to play an entire passage.<br />

Open D is the same as open E but tuned a whole step (two frets) lower (D, A,<br />

D, F#, A, D). Elmore James and Duane Allman (one of the greatest blues-rock<br />

slide guitarists and founder of the Allman Brothers Band) played in open E.<br />

Figure 11-13 shows a typical lick in open E.<br />

Open A and open G tuning<br />

In open A, the strings are tuned E, A, E, A, C#, E, low to high. This puts the<br />

root of the chord on the fifth string and provides a major chord on the top<br />

three strings. Also, having a minor third interval between the top two strings<br />

allows for some idiomatic blues moves, especially the chromatic descending<br />

lick in thirds.<br />

Track 76<br />

A7<br />

with slide<br />

T<br />

A<br />

B<br />

4<br />

5<br />

5 5 5 5 5<br />

5 5 5 3<br />

5 4<br />

5<br />

*Open E tuning: E B E G B E, low to high.<br />

Figure 11-13:<br />

A slide lick<br />

in open E.<br />

4 5<br />

5 4 5<br />

5 3 0 3 0<br />

5<br />

5<br />

3 5<br />

TEAM LinG

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