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208 Part IV: Sounding Like the Masters: Blues Styles through the Ages Quintessential Blues: Slide Guitar<br />

Slide guitar may have become a stylistic choice over fretted guitar out of necessity<br />

by players who didn’t have the skills or patience to fret the guitar and<br />

found it easy to slide a smooth, rounded object over the strings to achieve a<br />

similar effect. But for the greatest practitioners such as Charlie Patton,<br />

Sylvester Weaver, Blind Willie Johnson, Son House, and Robert Johnson, slide<br />

guitar was an unparalleled mode of expression evocative of the human voice as<br />

well as the wail of train whistles — a sound near and dear to country blues guitarists.<br />

But whatever its origin, slide guitar is a staple of the acoustic blues<br />

guitar sound unlikely to ever be imitated by synthetic, digital means.<br />

The tools that let you slide<br />

Early, rural-dwelling slide players used anything they could find to produce<br />

the slide effect. The edge of a pocket knife, a length of pipe, a section of bone<br />

from a ham or beef shank, and a medicine bottle were among some of the top<br />

“tools” used, but the most popular and effective was a broken bottle neck<br />

(which was filed or fired to eliminate the sharp edges). Because the bottle<br />

neck was probably the most popular, slide blues guitar is sometimes called<br />

bottleneck guitar.<br />

These days, you acquire your slippery weapon of choice by going to a music<br />

store and selecting from the pre-packaged slides in the display case. Metal and<br />

glass tubes are the two most common styles (though prepared bottlenecks<br />

are available, too) and come in various diameters to fit different-sized fingers.<br />

Metal slides, especially those made from brass, are heavier (they<br />

have more mass), bolder-sounding, and provide better sustain, but<br />

they’re more difficult to master.<br />

Glass slides are light and have a rounder, mellower tone.<br />

TEAM LinG<br />

Sliding technique<br />

Many Delta players combined slide technique with fretting, often having the<br />

slide play the melodic portions while their fretting fingers played chordal<br />

figures or kept the bass line going. This technique dictated the wearing of<br />

the slide on the fourth finger (the pinky). Follow the steps below to perfect<br />

your slide technique:

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