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Chapter 11<br />

Acoustic Roots: Delta Blues<br />

and Its Country Cousins<br />

In This Chapter<br />

Hammering out the Delta blues<br />

Discovering the roots of Piedmont blues<br />

Melding Delta and Piedmont blues: Country and folk blues<br />

Producing a new form of blues: Rockabilly<br />

Performing with style: Acoustic slide guitar<br />

Acoustic-guitar blues is one of the earliest forms of blues. Before acoustic<br />

blues developed into its own instrumental style, the guitar was just a<br />

convenient instrument to play and accompany yourself while you sang. A<br />

performer naturally played rhythmically when singing and more melodically<br />

in between the vocal phrases. So the guitar style was woven into the singer’s<br />

approach to accompanying himself on the guitar. Gradually, the guitar went<br />

from being just a background instrument into a solo, unaccompanied instrument<br />

and then evolved into the different branches of ragtime, country blues,<br />

and even rockabilly.<br />

In this chapter, you explore the different forms of acoustic blues — Delta blues,<br />

Piedmont blues, country and folk blues, and rockabilly. You also take a tour of<br />

slide guitar.<br />

Delta Blues: Where It All Began<br />

The Delta is an area of northern Mississippi and Arkansas that was agriculturally<br />

and musically fertile. When people refer to the “Delta blues,” they describe<br />

the music specific to a geographic region and the hard-edged, acoustic blues<br />

played by Charlie Patton, Son House, and especially Robert Johnson — its<br />

most famous and influential practitioner, who has contributed some of the best<br />

lasting recorded examples.<br />

TEAM LinG

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