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Chapter 10: Express Yourself: Making the Guitar Sing, Cry, and Wail 181 Track 58, 0:11 Shuffle (qr=qce) A7 T A B 5 5 5 6 5 6 7 7 5 5 6 5 6 7 7 5 Figure 10-7: A lick using various hammerons. 7 3 5 6 7 5 5 7 5 3 3 5 7 8 5 7 8 3 5 7 8 3 5 6 5 Peeling takes a little practice. Generally, the faster the tempo, the better a pull-off reads without the extra effort. But after you have some pretty good calluses built up, your pull-offs (and your hammer-ons) will sound better. 59, 0:00 Figure 10-8: Three types of pull-offs. T A B 2 0 0 2 0 2 2 7 5 5 8 7 5 7 8 5 8 5 8 7 7 Pulling off like a pro Figure 10-9 shows a passage that uses pull-offs in combination with hammerons, their constant companions. (I cover these earlier in the chapter in the section “It’s hammer time — get ready to strike a string!”) TEAM LinG
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Chapter 10: Express Yourself: Making the Guitar Sing, Cry, and Wail<br />
181<br />
Track 58, 0:11<br />
Shuffle (qr=qce)<br />
A7<br />
T<br />
A<br />
B<br />
5 5<br />
5 6 5 6<br />
7 7<br />
5<br />
5 6 5 6<br />
7 7<br />
5<br />
Figure 10-7:<br />
A lick using<br />
various<br />
hammerons.<br />
7<br />
3<br />
5 6 7<br />
5 5 7 5<br />
3 3<br />
5 7 8 5 7 8<br />
3<br />
5 7 8<br />
3<br />
5 6<br />
5<br />
Peeling takes a little practice. Generally, the faster the tempo, the better a<br />
pull-off reads without the extra effort. But after you have some pretty good<br />
calluses built up, your pull-offs (and your hammer-ons) will sound better.<br />
59, 0:00<br />
Figure 10-8:<br />
Three types<br />
of pull-offs.<br />
T<br />
A<br />
B<br />
2 0 0 2 0<br />
2 2<br />
7 5 5 8 7 5<br />
7<br />
8 5 8 5 8<br />
7 7<br />
Pulling off like a pro<br />
Figure 10-9 shows a passage that uses pull-offs in combination with hammerons,<br />
their constant companions. (I cover these earlier in the chapter in the<br />
section “It’s hammer time — get ready to strike a string!”)<br />
TEAM LinG