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176 Part III: Beyond the Basics: Playing Like a Pro TEAM LinG and 7, but in this chapter, you apply it to single-string lead playing. Figure 10-3 shows a lead passage that uses muted notes (indicated by the letters P.M.) along with accented notes to sustain the dramatic interest. Figure 10-3: Muted notes interrupted by occasional accented notes. Shuffle (qr=qce) A7 P.M. P.M. T 2 A 2 2 4 B 0 0 3 4 0 0 3 4 Track 56, 0:15 2 2 4 2 Another way to play a note short, other than muting it, is to simply stop it dead from ringing through its full, indicated rhythmic duration. Playing short, crisp notes is called staccato; this is indicated with a small dot appearing over the notehead. Breaking Down the Music: Phrasing Putting notes together in a cohesive thought in music is called phrasing. Phrasing takes into account how notes are sounded (articulated or not) and how they’re grouped together (as part of a unit or detached). The following sections present techniques to help you have more control over phrasing a series of notes and making them more emotionally powerful than just the notes themselves would be. Connecting notes the slippery way: Slides A slide is a smooth, slippery way to connect notes, and you perform them with just a slide of a finger. Slides come in many flavors and can be used subtly or obviously to gently connect two melodic notes or to enter and exit notes. In a slide between two notes of definite pitch, the first note is picked, but the second note is not picked. The sliding motion of the left-hand finger sounds the second note, and the effect is subtler than if the second note were articulated (attacked with the pick). Slides are a great way to mix up the sound of a series of notes so every note is not articulated — which can sometimes

176 Part III: Beyond the Basics: Playing Like a Pro TEAM LinG<br />

and 7, but in this chapter, you apply it to single-string lead playing. Figure<br />

10-3 shows a lead passage that uses muted notes (indicated by the letters<br />

P.M.) along with accented notes to sustain the dramatic interest.<br />

Figure 10-3:<br />

Muted<br />

notes<br />

interrupted<br />

by<br />

occasional<br />

accented<br />

notes.<br />

Shuffle (qr=qce)<br />

A7<br />

P.M. P.M.<br />

T<br />

2<br />

A 2 2 4<br />

B 0 0 3 4<br />

0 0 3 4<br />

Track 56, 0:15<br />

2 2 4<br />

2<br />

Another way to play a note short, other than muting it, is to simply stop it<br />

dead from ringing through its full, indicated rhythmic duration. Playing short,<br />

crisp notes is called staccato; this is indicated with a small dot appearing over<br />

the notehead.<br />

Breaking Down the Music: Phrasing<br />

Putting notes together in a cohesive thought in music is called phrasing.<br />

Phrasing takes into account how notes are sounded (articulated or not) and<br />

how they’re grouped together (as part of a unit or detached). The following<br />

sections present techniques to help you have more control over phrasing a<br />

series of notes and making them more emotionally powerful than just the<br />

notes themselves would be.<br />

Connecting notes the slippery way: Slides<br />

A slide is a smooth, slippery way to connect notes, and you perform them<br />

with just a slide of a finger. Slides come in many flavors and can be used<br />

subtly or obviously to gently connect two melodic notes or to enter and exit<br />

notes. In a slide between two notes of definite pitch, the first note is picked,<br />

but the second note is not picked. The sliding motion of the left-hand finger<br />

sounds the second note, and the effect is subtler than if the second note were<br />

articulated (attacked with the pick). Slides are a great way to mix up the sound<br />

of a series of notes so every note is not articulated — which can sometimes

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