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176 Part III: Beyond the Basics: Playing Like a Pro TEAM LinG and 7, but in this chapter, you apply it to single-string lead playing. Figure 10-3 shows a lead passage that uses muted notes (indicated by the letters P.M.) along with accented notes to sustain the dramatic interest. Figure 10-3: Muted notes interrupted by occasional accented notes. Shuffle (qr=qce) A7 P.M. P.M. T 2 A 2 2 4 B 0 0 3 4 0 0 3 4 Track 56, 0:15 2 2 4 2 Another way to play a note short, other than muting it, is to simply stop it dead from ringing through its full, indicated rhythmic duration. Playing short, crisp notes is called staccato; this is indicated with a small dot appearing over the notehead. Breaking Down the Music: Phrasing Putting notes together in a cohesive thought in music is called phrasing. Phrasing takes into account how notes are sounded (articulated or not) and how they’re grouped together (as part of a unit or detached). The following sections present techniques to help you have more control over phrasing a series of notes and making them more emotionally powerful than just the notes themselves would be. Connecting notes the slippery way: Slides A slide is a smooth, slippery way to connect notes, and you perform them with just a slide of a finger. Slides come in many flavors and can be used subtly or obviously to gently connect two melodic notes or to enter and exit notes. In a slide between two notes of definite pitch, the first note is picked, but the second note is not picked. The sliding motion of the left-hand finger sounds the second note, and the effect is subtler than if the second note were articulated (attacked with the pick). Slides are a great way to mix up the sound of a series of notes so every note is not articulated — which can sometimes
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176 Part III: Beyond the Basics: Playing Like a Pro TEAM LinG<br />
and 7, but in this chapter, you apply it to single-string lead playing. Figure<br />
10-3 shows a lead passage that uses muted notes (indicated by the letters<br />
P.M.) along with accented notes to sustain the dramatic interest.<br />
Figure 10-3:<br />
Muted<br />
notes<br />
interrupted<br />
by<br />
occasional<br />
accented<br />
notes.<br />
Shuffle (qr=qce)<br />
A7<br />
P.M. P.M.<br />
T<br />
2<br />
A 2 2 4<br />
B 0 0 3 4<br />
0 0 3 4<br />
Track 56, 0:15<br />
2 2 4<br />
2<br />
Another way to play a note short, other than muting it, is to simply stop it<br />
dead from ringing through its full, indicated rhythmic duration. Playing short,<br />
crisp notes is called staccato; this is indicated with a small dot appearing over<br />
the notehead.<br />
Breaking Down the Music: Phrasing<br />
Putting notes together in a cohesive thought in music is called phrasing.<br />
Phrasing takes into account how notes are sounded (articulated or not) and<br />
how they’re grouped together (as part of a unit or detached). The following<br />
sections present techniques to help you have more control over phrasing a<br />
series of notes and making them more emotionally powerful than just the<br />
notes themselves would be.<br />
Connecting notes the slippery way: Slides<br />
A slide is a smooth, slippery way to connect notes, and you perform them<br />
with just a slide of a finger. Slides come in many flavors and can be used<br />
subtly or obviously to gently connect two melodic notes or to enter and exit<br />
notes. In a slide between two notes of definite pitch, the first note is picked,<br />
but the second note is not picked. The sliding motion of the left-hand finger<br />
sounds the second note, and the effect is subtler than if the second note were<br />
articulated (attacked with the pick). Slides are a great way to mix up the sound<br />
of a series of notes so every note is not articulated — which can sometimes