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Chapter 9: Playing Up the Neck 169 to a key, and vice versa. You may not need to refer to this chart after you master your keys and forms well enough, but it never hurts to have it around. = added note: C 10fr. Track 54 Shuffle (qr=qce) A7 D7 T 10 12 11 A B 13 10 12 10 10 12 11 11 13 10 12 10 10 12 11 11 A7 D7 3 3 10 12 13 13 10 10 10 13 12 10 10 12 13 10 10 12 13 10 11 10 13 13 11 11 A7 E7 12 10 12 13 10 13 10 10 13 10 12 12 10 12 12 10 12 Figure 9-14: A sweetnote pattern with a familiar fingering pattern. D7 10 10 10 13 10 11 11 A7 10 12 13 13 10 10 E7 12 12 12 12 TEAM LinG
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Chapter 9: Playing Up the Neck<br />
169<br />
to a key, and vice versa. You may not need to refer to this chart after you<br />
master your keys and forms well enough, but it never hurts to have it around.<br />
= added note: C<br />
10fr.<br />
Track 54<br />
Shuffle (qr=qce)<br />
A7<br />
D7<br />
T<br />
10 12<br />
11<br />
A B<br />
13 10 12 10 10 12<br />
11 11<br />
13 10 12 10 10 12<br />
11 11<br />
A7<br />
D7<br />
3<br />
3<br />
10 12<br />
13 13 10 10<br />
10<br />
13 12 10 10 12 13<br />
10 10 12<br />
13 10<br />
11<br />
10 13 13<br />
11 11<br />
A7<br />
E7<br />
12 10 12<br />
13 10<br />
13 10 10 13<br />
10<br />
12 12 10 12 12 10 12<br />
Figure 9-14:<br />
A sweetnote<br />
pattern<br />
with a<br />
familiar<br />
fingering<br />
pattern.<br />
D7<br />
10 10 10<br />
13 10<br />
11 11<br />
A7<br />
10 12<br />
13 13 10 10<br />
E7<br />
12 12 12 12<br />
TEAM LinG