238658923659
Chapter 9: Playing Up the Neck 159 pentatonic scale position is the one nicknamed home position. This position is the one you play most often from, and if you decide to play high notes or low notes, you leave “home,” but you eventually return. The A minor pentatonic scale is just five half-steps higher than E minor, so it’s the same as the E minor pentatonic moved up five frets. This puts the A minor pentatonic scale in fifth position, and the open strings used to play the notes of the scale all become fifth-fret notes. You use the closed-position example in A minor as a basis to derive other pentatonic positions. Figure 9-2 shows the minor pentatonic scale transposed to the fifth fret (where your first finger plays, and is anchored to, the fifth fret).The box diagram above the staff shows the collection of notes in a lead pattern; it isn’t a chord. Figure 9-2: The A minor pentatonic scale at the fifth fret. 5fr. There are a couple of things going on when you play this new scale form: The scale that you originally learned in open position has been transported up the neck, so you now play it by using all fretted notes. The faithful E minor pentatonic scale has been transposed to the key of A, so you have to adjust the chords accordingly to play in the right key. (Moving anything on the neck transposes it to a different key.) Figure 9-3 is a passage that uses the descending A minor pentatonic scale, starting at the highest note — the first string, eighth-fret C. Figure 9-3: A passage that uses the descending fifth-position A minor pentatonic scale. T A B 8 5 8 5 7 5 7 5 Track 49, 0:00 7 5 8 5 TEAM LinG
- Page 300: Chapter 7: Musical Riffs: Bedrock o
- Page 304: Chapter 7: Musical Riffs: Bedrock o
- Page 308: Part III Beyond the Basics: Playing
- Page 312: Chapter 8 Playing Lead: Soaring Mel
- Page 316: Chapter 8: Playing Lead: Soaring Me
- Page 320: Chapter 8: Playing Lead: Soaring Me
- Page 324: Chapter 8: Playing Lead: Soaring Me
- Page 328: Chapter 8: Playing Lead: Soaring Me
- Page 332: Chapter 8: Playing Lead: Soaring Me
- Page 336: Chapter 8: Playing Lead: Soaring Me
- Page 340: Chapter 8: Playing Lead: Soaring Me
- Page 344: Chapter 9 Playing Up the Neck In Th
- Page 348: Chapter 9: Playing Up the Neck 157
- Page 354: After you practice Figure 9-3 a bit
- Page 358: 8fr. Track 50, 0:12 Figure 9-6: A l
- Page 362: phrase. Slides are covered in more
- Page 366: 166 Part III: Beyond the Basics: Pl
- Page 370: 168 Part III: Beyond the Basics: Pl
- Page 374: 170 Part III: Beyond the Basics: Pl
- Page 378: 172 Part III: Beyond the Basics: Pl
- Page 382: Super blues star Buddy Guy is a mas
- Page 386: 176 Part III: Beyond the Basics: Pl
- Page 390: 178 Part III: Beyond the Basics: Pl
- Page 394: Track 58, 0:00 Figure 10-6: Three t
- Page 398: Track 59, 0:14 Figure 10-9: Pull-of
Chapter 9: Playing Up the Neck<br />
159<br />
pentatonic scale position is the one nicknamed home position. This position<br />
is the one you play most often from, and if you decide to play high notes or<br />
low notes, you leave “home,” but you eventually return.<br />
The A minor pentatonic scale is just five half-steps higher than E minor, so it’s<br />
the same as the E minor pentatonic moved up five frets. This puts the A minor<br />
pentatonic scale in fifth position, and the open strings used to play the notes<br />
of the scale all become fifth-fret notes. You use the closed-position example in<br />
A minor as a basis to derive other pentatonic positions.<br />
Figure 9-2 shows the minor pentatonic scale transposed to the fifth fret (where<br />
your first finger plays, and is anchored to, the fifth fret).The box diagram above<br />
the staff shows the collection of notes in a lead pattern; it isn’t a chord.<br />
Figure 9-2:<br />
The A minor<br />
pentatonic<br />
scale at the<br />
fifth fret.<br />
5fr.<br />
There are a couple of things going on when you play this new scale form:<br />
The scale that you originally learned in open position has been transported<br />
up the neck, so you now play it by using all fretted notes.<br />
The faithful E minor pentatonic scale has been transposed to the key of<br />
A, so you have to adjust the chords accordingly to play in the right key.<br />
(Moving anything on the neck transposes it to a different key.)<br />
Figure 9-3 is a passage that uses the descending A minor pentatonic scale,<br />
starting at the highest note — the first string, eighth-fret C.<br />
Figure 9-3:<br />
A passage<br />
that uses<br />
the<br />
descending<br />
fifth-position<br />
A minor<br />
pentatonic<br />
scale.<br />
T<br />
A<br />
B<br />
8 5<br />
8 5<br />
7 5<br />
7 5<br />
Track 49, 0:00<br />
7 5<br />
8 5<br />
TEAM LinG