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Chapter 9<br />

Playing Up the Neck<br />

In This Chapter<br />

Positioning your fingers with ease<br />

Playing up the neck and changing positions<br />

Checking out the ways to move up and down the neck<br />

Figuring out the five pentatonic positions<br />

Creating a dynamic solo<br />

Knowing the neck of your guitar (and your sweetie) is the secret to playing<br />

well (on both fields!). If you played nothing but the notes of the pentatonic<br />

scale, and shifted smoothly between positions, you’d never play a wrong<br />

note again — and you’d be moving up and down the neck with authority and<br />

confidence.<br />

This chapter gives you the tools to break out of the open position to boldly<br />

play on the higher frets. The guitar sounds great when played anywhere on<br />

the neck, but for brilliant, piercing lead lines, you can’t beat the upper frets<br />

for their tone and expressive potential.<br />

For Inquiring Minds: Why Up<br />

the Neck You Should Go<br />

Melodic lead guitar — especially electric guitar — sounds better in the higher<br />

positions for three reasons:<br />

It stands out more than it otherwise would. Chords from the rhythm<br />

guitar and keyboards occupy primarily the lower and middle registers,<br />

so the lead guitar distinguishes itself by playing notes in a different<br />

region than the ones occupied by the rhythm instruments.<br />

TEAM LinG

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