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Track 46 E7 A7 E7 T A B 0 0 0 0 3 2 0 2 3 2 0 2 2 0 0 2 2 0 3 3 A 0 3 0 1 2 0 2 0 2 0 2 2 0 2 2 0 2 3 0 0 3 0 E B7 0 3 0 3 0 3 0 0 0 3 0 0 3 0 3 Figure 8-9: The E blues scale used to solo over a 12-bar blues. A7 2 0 2 0 3 0 E7 0 3 150 Part III: Beyond the Basics: Playing Like a Pro TEAM LinG 3 3 2 0 2 2 B7 0 0 3 0 Adding Some Extra Flava to the Blues Scale The blues scale enables you to create a lot of music, and you can spend a lifetime exploring its expressive possibilities. Although the blues scale sounds good in a 12-bar blues over the entire progression and over any chord, it does
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Track 46<br />
E7<br />
A7<br />
E7<br />
T<br />
A<br />
B<br />
0 0 0<br />
0 3<br />
2 0 2 3 2 0<br />
2<br />
2 0 0<br />
2 2 0<br />
3 3<br />
A<br />
0 3<br />
0 1 2<br />
0 2<br />
0<br />
2 0 2 2 0<br />
2<br />
2 0 2 3<br />
0<br />
0 3 0<br />
E<br />
B7<br />
0 3 0 3 0 3 0 0<br />
0 3<br />
0 0 3 0<br />
3<br />
Figure 8-9:<br />
The E blues<br />
scale used<br />
to solo over<br />
a 12-bar<br />
blues.<br />
A7<br />
2 0 2 0<br />
3 0<br />
E7<br />
0<br />
3<br />
150 Part III: Beyond the Basics: Playing Like a Pro TEAM LinG<br />
3<br />
3 2 0 2<br />
2<br />
B7<br />
0 0 3 0<br />
Adding Some Extra Flava<br />
to the Blues Scale<br />
The blues scale enables you to create a lot of music, and you can spend a lifetime<br />
exploring its expressive possibilities. Although the blues scale sounds<br />
good in a 12-bar blues over the entire progression and over any chord, it does