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Track 46 E7 A7 E7 T A B 0 0 0 0 3 2 0 2 3 2 0 2 2 0 0 2 2 0 3 3 A 0 3 0 1 2 0 2 0 2 0 2 2 0 2 2 0 2 3 0 0 3 0 E B7 0 3 0 3 0 3 0 0 0 3 0 0 3 0 3 Figure 8-9: The E blues scale used to solo over a 12-bar blues. A7 2 0 2 0 3 0 E7 0 3 150 Part III: Beyond the Basics: Playing Like a Pro TEAM LinG 3 3 2 0 2 2 B7 0 0 3 0 Adding Some Extra Flava to the Blues Scale The blues scale enables you to create a lot of music, and you can spend a lifetime exploring its expressive possibilities. Although the blues scale sounds good in a 12-bar blues over the entire progression and over any chord, it does

Track 46<br />

E7<br />

A7<br />

E7<br />

T<br />

A<br />

B<br />

0 0 0<br />

0 3<br />

2 0 2 3 2 0<br />

2<br />

2 0 0<br />

2 2 0<br />

3 3<br />

A<br />

0 3<br />

0 1 2<br />

0 2<br />

0<br />

2 0 2 2 0<br />

2<br />

2 0 2 3<br />

0<br />

0 3 0<br />

E<br />

B7<br />

0 3 0 3 0 3 0 0<br />

0 3<br />

0 0 3 0<br />

3<br />

Figure 8-9:<br />

The E blues<br />

scale used<br />

to solo over<br />

a 12-bar<br />

blues.<br />

A7<br />

2 0 2 0<br />

3 0<br />

E7<br />

0<br />

3<br />

150 Part III: Beyond the Basics: Playing Like a Pro TEAM LinG<br />

3<br />

3 2 0 2<br />

2<br />

B7<br />

0 0 3 0<br />

Adding Some Extra Flava<br />

to the Blues Scale<br />

The blues scale enables you to create a lot of music, and you can spend a lifetime<br />

exploring its expressive possibilities. Although the blues scale sounds<br />

good in a 12-bar blues over the entire progression and over any chord, it does

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