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Table of Contents xv Muddy Waters (1915–83).............................................................................318 Albert King (1923–92) ..................................................................................318 B.B. King (b. 1925)........................................................................................319 Albert Collins (1932–93)..............................................................................319 Otis Rush (b. 1934).......................................................................................319 Eric Clapton (b. 1945)..................................................................................319 Stevie Ray Vaughan (1954–90)....................................................................320 Chapter 18: Ten Great Blues Guitars . . . . . . . . . . . . . . . . . . . . . . . . . . .321 Gibson L-1 Flattop ........................................................................................321 Gibson ES-175 Archtop ................................................................................321 National Steel................................................................................................322 Gibson J-200 ..................................................................................................322 Fender Telecaster.........................................................................................322 Gibson Les Paul ............................................................................................323 Fender Stratocaster .....................................................................................323 Gibson ES-335 ...............................................................................................323 Gibson ES-355 ...............................................................................................324 Gibson SG ......................................................................................................324 Chapter 19: Ten (Plus One) Must-Have Blues Guitar Albums . . . . . .325 Robert Johnson: The Complete Recordings.............................................325 Blues Masters: The Very Best of Lightnin’ Hopkins.................................326 T-Bone Walker: Complete Capitol Black & White Recordings ................326 T-Bone Walker: Complete Imperial Recordings........................................326 The Best of Muddy Waters..........................................................................326 B.B. King: Live at the Regal .........................................................................327 The Very Best of Buddy Guy.......................................................................327 Robert Cray: Bad Influence.........................................................................327 Masters of the Delta Blues: Friends of Charlie Patton.............................328 Mean Old World: The Blues from 1940 to 1994 ........................................328 Chicago: The Blues Today...........................................................................328 Part VII: Appendixes..................................................329 Appendix A: How to Read Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .331 The Elements of Music Notation................................................................332 Reading pitch ......................................................................................333 Reading duration ................................................................................335 Expression, articulation, and miscellaneous terms and symbols .........................................................................337 Appendix B: How to Use the CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .339 Relating the Text to the CD .........................................................................339 Count-offs ............................................................................................340 Stereo separation ...............................................................................340 TEAM LinG
Page 1 and 2: TEAM LinG
Page 4: Blues Guitar FOR DUMmIES‰ by Jon
Page 8: About the Author Jon Chappell is a
Page 12: Contents at a Glance Introduction .
Page 16: Table of Contents Introduction.....
Page 20: Table of Contents ix Playing E-base
Page 24: Table of Contents xi Five Positions
Page 28: Table of Contents xiii 21st-Century
Page 34: xvi Blues Guitar For Dummies System
Page 38: 2 Blues Guitar For Dummies You shou
Page 42: 4 Blues Guitar For Dummies How This
Page 46: 6 Blues Guitar For Dummies This ico
Page 50: In this part . . . “Woke up this
Page 54: 10 Part I: You Got a Right to Play
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24 Part I: You Got a Right to Play
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Getting sound to come out All the p
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In this part . . . Part II gets you
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58 Part II: Setting Up to Play the
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Figure 5-4 is a simple pick-strum p
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The 12/8 groove The 12/8 groove is
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Track 11 E7 A7 T A B P.M. P.M. P.M.
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Shuffle (qr=qce) E7 A/E N.C. E7 A/E
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The two-beat feel The two-beat feel
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(continued) A7 5fr. A 7 4fr. E7 5fr
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Track 20 N. C. 1324 6fr. A9 1324 4f
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The 8-bar blues The 8-bar blues is
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Track 24 (qr=qce) G G6 G G6 C C6 C
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Track 25 Shuffle (qr=qce) A5 A6 A5
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Figure 6-15: A two-bar turnaround w
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Track 32, 0:00 Figure 7-4: An eight
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The 5-6 riff is a blues-rhythm hall
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Track 34 Shuffle (qr=qce) A 3 T A B
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Intro, turnaround, and ending riffs
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If the double strikes in the bass g
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Track 37, 0:33 Figure 7-19: A low-n
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In this part . . . This part dives
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140 Part III: Beyond the Basics: Pl
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Figure 8-2 features two notes — t
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Track 45 Shuffle (qr=qce) E7 A7 E7
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Track 46 E7 A7 E7 T A B 0 0 0 0 3 2
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Track 47 Shuffle Figure 8-10: The m
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After you practice Figure 9-3 a bit
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8fr. Track 50, 0:12 Figure 9-6: A l
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phrase. Slides are covered in more
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Super blues star Buddy Guy is a mas
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Track 58, 0:00 Figure 10-6: Three t
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Track 59, 0:14 Figure 10-9: Pull-of
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Releasing right on time Letting go
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Track 63 Shuffle (qr=qce) A7 D7 5 7
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In this part . . . Part IV contains
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194 Part IV: Sounding Like the Mast
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Track 65 Shuffle (qr=qce) E7 3 A7 3
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Robert Johnson’s music embodied t
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Track 71 Shuffle (qr=qce) C G7 C Fi
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Open tunings favor the technical si
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Open D has the same relationships b
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Muddy Waters, leader of the pack Bo
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Shuffle (qr=qce) A7 Track 82 T A B
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Figure 12-8 shows an example of how
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Shuffle (qr=qce) A7 E7 Track 88 wit
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funk style into a true psychedelic
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Track 92 Am G 1 5 8 5 8 5 T 7 7 7 5
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The Allmans, especially brother Dua
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You can hear him trade red-hot blue
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Track 95 Shuffle (qr=qce) A * w/pic
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In this part . . . There’s more t
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256 Part V: Gearing Up: Outfitting
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1. Pull on the string, gently but f
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In this part . . . The Part of Tens
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318 Part VI: The Part of Tens Elmor
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320 Part VI: The Part of Tens TEAM
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326 Part VI: The Part of Tens Blues
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328 Part VI: The Part of Tens Maste
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In this part . . . The Appendixes p
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The Elements of Music Notation Figu
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334 Part VII: Appendixes TEAM LinG
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342 Part VII: Appendixes Using the
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350 Blues Guitar For Dummies TEAM L
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5. Limited Warranty. (a) WPI warran
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SPORTS, FITNESS, PARENTING, RELIGIO
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