238658923659

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Part III Beyond the Basics: Playing Like a Pro TEAM LinG

Page 1 and 2: TEAM LinG

Page 4: Blues Guitar FOR DUMmIES‰ by Jon

Page 8: About the Author Jon Chappell is a

Page 12: Contents at a Glance Introduction .

Page 16: Table of Contents Introduction.....

Page 20: Table of Contents ix Playing E-base

Page 24: Table of Contents xi Five Positions

Page 28: Table of Contents xiii 21st-Century

Page 32: Table of Contents xv Muddy Waters (

Page 36: Introduction As B.B. King might say

Page 40: Introduction 3 Right hand and left

Page 44: Introduction 5 discover the acousti

Page 48: Part I You Got a Right to Play the

Page 52: Chapter 1 Every Day I Have the Blue

Page 56: Chapter 1: Every Day I Have the Blu






Page 80: Chapter 2 Blues Meets Guitar: A Mat

Page 84: Chapter 2: Blues Meets Guitar: A Ma







Page 112: Chapter 3 Grab Hold, Tune Up, Play

Page 116: Chapter 3: Grab Hold, Tune Up, Play







Page 144: Part II Setting Up to Play the Blue

Page 148: Chapter 4 Getting a Grip on Left-Ha

Page 152: Chapter 4: Getting a Grip on Left-H






Page 176: Chapter 5 Positioning the Right Han

Page 180: Chapter 5: Positioning the Right Ha












Page 228: Chapter 6 Blues Progressions, Song

Page 232: Chapter 6: Blues Progressions, Song











Page 276: Chapter 7 Musical Riffs: Bedrock of

Page 280: Chapter 7: Musical Riffs: Bedrock o







Page 310: In this part . . . This part dives

Page 314: 140 Part III: Beyond the Basics: Pl

Page 318: Figure 8-2 features two notes — t



Page 330: Track 45 Shuffle (qr=qce) E7 A7 E7

Page 334: Track 46 E7 A7 E7 T A B 0 0 0 0 3 2

Page 338: Track 47 Shuffle Figure 8-10: The m




Page 354: After you practice Figure 9-3 a bit

Page 358: 8fr. Track 50, 0:12 Figure 9-6: A l

Page 362: phrase. Slides are covered in more





Page 382: Super blues star Buddy Guy is a mas



Page 394: Track 58, 0:00 Figure 10-6: Three t

Page 398: Track 59, 0:14 Figure 10-9: Pull-of


Page 406: Releasing right on time Letting go

Page 410: Track 63 Shuffle (qr=qce) A7 D7 5 7


Page 418: In this part . . . Part IV contains

Page 422: 194 Part IV: Sounding Like the Mast

Page 426: Track 65 Shuffle (qr=qce) E7 3 A7 3

Page 430: Robert Johnson’s music embodied t




Page 446: Track 71 Shuffle (qr=qce) C G7 C Fi


Page 454: Open tunings favor the technical si

Page 458: Open D has the same relationships b



Page 470: Muddy Waters, leader of the pack Bo


Page 478: Shuffle (qr=qce) A7 Track 82 T A B


Page 486: Figure 12-8 shows an example of how



Page 498: Shuffle (qr=qce) A7 E7 Track 88 wit




Page 514: funk style into a true psychedelic

Page 518: Track 92 Am G 1 5 8 5 8 5 T 7 7 7 5

Page 522: The Allmans, especially brother Dua

Page 526: You can hear him trade red-hot blue

Page 530: Track 95 Shuffle (qr=qce) A * w/pic



Page 542: In this part . . . There’s more t

Page 546: 256 Part V: Gearing Up: Outfitting



























Page 654: 1. Pull on the string, gently but f



Page 666: In this part . . . The Part of Tens

Page 670: 318 Part VI: The Part of Tens Elmor

Page 674: 320 Part VI: The Part of Tens TEAM



Page 686: 326 Part VI: The Part of Tens Blues

Page 690: 328 Part VI: The Part of Tens Maste

Page 694: In this part . . . The Appendixes p

Page 698: The Elements of Music Notation Figu

Page 702: 334 Part VII: Appendixes TEAM LinG




Page 718: 342 Part VII: Appendixes Using the




Page 734: 350 Blues Guitar For Dummies TEAM L








Page 766: 5. Limited Warranty. (a) WPI warran

Page 770: SPORTS, FITNESS, PARENTING, RELIGIO

blues

ling

chord

chords

acoustic

dummies

guitars

shuffle

tuning

pentatonic

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