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xiv Blues Guitar For Dummies Remembering the Good Old Days..............................................................282 Vintage amps.......................................................................................283 Reissue amps ......................................................................................283 Dialing in an Amp Sound .............................................................................283 Chronicling Classic Amps for Blues...........................................................285 Fender Bassman .................................................................................285 Fender Deluxe Reverb........................................................................286 Fender Twin Reverb ...........................................................................286 Marshall JTM 45..................................................................................286 Marshall Plexi Super Lead 100..........................................................287 Vox AC30..............................................................................................288 Mesa/Boogie Mark IIc+.......................................................................288 Messing Around with Your Sound: Effects................................................289 Juicing Up Your Sound.................................................................................290 When your sound is too hot to handle: Distortion ........................290 Toying with Tone Quality ............................................................................291 EQ: The great tonal equalizer ...........................................................292 Wah-wah, the effect that is as it sounds ..........................................292 Modulation Effects, from Swooshy to Swirly............................................292 Stacking sounds for a fuller effect: Chorus .....................................292 Swooshing, like a jet plane: Flangers and phase shifters ..............293 Like a visit to the opera house: Vibrato and tremolo ....................293 Pretending (and Sounding Like) You’re Somewhere You’re Not............294 Delaying sound in a cave-like way....................................................295 Adding reverb to make your sound slicker.....................................295 Choosing an Effects Format........................................................................296 A string of effects: Pedals on parade ...............................................296 A box to house them all at your feet................................................297 A box to house them all at hand level .............................................297 Chapter 16: Changing Strings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .301 Change Is Good, But When?........................................................................301 Choosing the Right Strings .........................................................................302 Acoustic strings..................................................................................303 Electric strings....................................................................................304 Outfitting Your String-Changing Toolkit ....................................................304 Removing Old Strings ..................................................................................305 Stringing a Steel-String Acoustic ................................................................306 Stringing an Electric Guitar.........................................................................310 Part VI: The Part of Tens............................................315 Chapter 17: Ten Blues Guitar Giants . . . . . . . . . . . . . . . . . . . . . . . . . . .317 Robert Johnson (1911–38) ..........................................................................317 Elmore James (1918–63)..............................................................................318 T-Bone Walker (1910–75).............................................................................318 TEAM LinG
- Page 1 and 2: TEAM LinG
- Page 4: Blues Guitar FOR DUMmIES‰ by Jon
- Page 8: About the Author Jon Chappell is a
- Page 12: Contents at a Glance Introduction .
- Page 16: Table of Contents Introduction.....
- Page 20: Table of Contents ix Playing E-base
- Page 24: Table of Contents xi Five Positions
- Page 28: Table of Contents xiii 21st-Century
- Page 34: xvi Blues Guitar For Dummies System
- Page 38: 2 Blues Guitar For Dummies You shou
- Page 42: 4 Blues Guitar For Dummies How This
- Page 46: 6 Blues Guitar For Dummies This ico
- Page 50: In this part . . . “Woke up this
- Page 54: 10 Part I: You Got a Right to Play
- Page 58: 12 Part I: You Got a Right to Play
- Page 62: 14 Part I: You Got a Right to Play
- Page 66: 16 Part I: You Got a Right to Play
- Page 70: 18 Part I: You Got a Right to Play
- Page 74: 20 Part I: You Got a Right to Play
- Page 78: 22 Part I: You Got a Right to Play
xiv<br />
Blues Guitar For Dummies<br />
Remembering the Good Old Days..............................................................282<br />
Vintage amps.......................................................................................283<br />
Reissue amps ......................................................................................283<br />
Dialing in an Amp Sound .............................................................................283<br />
Chronicling Classic Amps for Blues...........................................................285<br />
Fender Bassman .................................................................................285<br />
Fender Deluxe Reverb........................................................................286<br />
Fender Twin Reverb ...........................................................................286<br />
Marshall JTM 45..................................................................................286<br />
Marshall Plexi Super Lead 100..........................................................287<br />
Vox AC30..............................................................................................288<br />
Mesa/Boogie Mark IIc+.......................................................................288<br />
Messing Around with Your Sound: Effects................................................289<br />
Juicing Up Your Sound.................................................................................290<br />
When your sound is too hot to handle: Distortion ........................290<br />
Toying with Tone Quality ............................................................................291<br />
EQ: The great tonal equalizer ...........................................................292<br />
Wah-wah, the effect that is as it sounds ..........................................292<br />
Modulation Effects, from Swooshy to Swirly............................................292<br />
Stacking sounds for a fuller effect: Chorus .....................................292<br />
Swooshing, like a jet plane: Flangers and phase shifters ..............293<br />
Like a visit to the opera house: Vibrato and tremolo ....................293<br />
Pretending (and Sounding Like) You’re Somewhere You’re Not............294<br />
Delaying sound in a cave-like way....................................................295<br />
Adding reverb to make your sound slicker.....................................295<br />
Choosing an Effects Format........................................................................296<br />
A string of effects: Pedals on parade ...............................................296<br />
A box to house them all at your feet................................................297<br />
A box to house them all at hand level .............................................297<br />
Chapter 16: Changing Strings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .301<br />
Change Is Good, But When?........................................................................301<br />
Choosing the Right Strings .........................................................................302<br />
Acoustic strings..................................................................................303<br />
Electric strings....................................................................................304<br />
Outfitting Your String-Changing Toolkit ....................................................304<br />
Removing Old Strings ..................................................................................305<br />
Stringing a Steel-String Acoustic ................................................................306<br />
Stringing an Electric Guitar.........................................................................310<br />
Part VI: The Part of Tens............................................315<br />
Chapter 17: Ten Blues Guitar Giants . . . . . . . . . . . . . . . . . . . . . . . . . . .317<br />
Robert Johnson (1911–38) ..........................................................................317<br />
Elmore James (1918–63)..............................................................................318<br />
T-Bone Walker (1910–75).............................................................................318<br />
TEAM LinG
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