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Chapter 7: Musical Riffs: Bedrock of the Blues<br />

127<br />

Shuffle, or swing, eighths<br />

Most blues are in a shuffle feel, and shuffle-based eighth-note riffs (also called<br />

swing eighths) are the most popular and numerous types of blues riffs.<br />

Countless tunes employ eighth-note riffs, including such hits as “Dust My<br />

Broom,” and “Sweet Home Chicago.” Figure 7-8 show you a classic shuffle<br />

rhythm that employs swing eighths and the occasional eighth-note triplet.<br />

Track 33, 0:13<br />

Figure 7-8:<br />

A variation<br />

of the 5-6<br />

move in<br />

swing<br />

eighths.<br />

Shuffle (qr=qce)<br />

A<br />

3<br />

T<br />

A 2 2 2 2 2 4 2<br />

B 0 0 0 3 4 0 0 0 0<br />

2 2<br />

0<br />

5<br />

0<br />

4<br />

0<br />

2<br />

0 0<br />

2<br />

3 4<br />

2<br />

3<br />

Figure 7-9 is an eighth-note riff with the melody weaving in and out of the low<br />

and high strings. This riff, once mastered, is tons of fun to play because it<br />

takes your left hand up and down and makes you look like you’re really<br />

movin’ on those strings!<br />

Track 33, 0:28<br />

Figure 7-9:<br />

An<br />

expanded<br />

version of<br />

the classic<br />

5-6 move.<br />

T<br />

A<br />

B<br />

Shuffle (qr=qce)<br />

A<br />

2 2 2 2 2 2 4 2<br />

0 0 3 4 0 0 0 0<br />

2<br />

2 2 4 5 2 2<br />

2 2 2 2 2 4 2<br />

0 0<br />

Figure 7-10 brings together chords, double-stops, swing eighth-notes, and<br />

eighth-note triplets. Practice this at various tempos to make sure that you’re<br />

playing all the elements with equal precision and command.<br />

TEAM LinG

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