238658923659
Track 24 (qr=qce) G G6 G G6 C C6 C C6 G G6 G G6 32 4 3 2 4 32 4 3 2 4 32 1 3 2 1 32 1 3 2 1 32 4 3 2 4 32 4 3 2 4 T A B 3 3 3 3 3 3 3 3 0 0 0 0 0 0 2 2 0 0 2 2 2 2 2 2 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 0 0 2 2 0 0 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 2 2 0 0 2 2 2 2 2 2 3 3 3 3 3 3 3 3 G G6 G G6 C C6 C C6 C C6 C C6 32 4 3 2 4 32 4 3 2 4 32 1 3 2 1 32 1 3 2 1 32 1 3 2 1 32 1 3 2 1 3 3 3 3 3 3 3 3 0 0 0 0 0 0 2 2 0 0 2 2 2 2 2 2 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 0 0 2 2 0 0 2 2 2 2 2 2 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 0 0 2 2 0 0 2 2 2 2 2 2 3 3 3 3 3 3 3 3 G G6 G G6 G G6 G G6 D D6 D D6 32 4 3 2 4 32 4 3 2 4 32 4 3 2 4 32 4 3 2 4 132 432 132 43 2 Figure 6-9: The Jimmy Reed move in G. 3 3 3 3 3 3 3 3 0 0 0 0 0 0 2 2 0 0 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 2 2 0 0 2 2 2 2 2 2 3 3 3 3 3 3 3 3 110 Part II: Setting Up to Play the Blues TEAM LinG 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 (continued)
- Page 204: Chapter 5: Positioning the Right Ha
- Page 208: Chapter 5: Positioning the Right Ha
- Page 212: Chapter 5: Positioning the Right Ha
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- Page 220: Chapter 5: Positioning the Right Ha
- Page 224: Chapter 5: Positioning the Right Ha
- Page 228: Chapter 6 Blues Progressions, Song
- Page 232: Chapter 6: Blues Progressions, Song
- Page 236: Chapter 6: Blues Progressions, Song
- Page 240: Chapter 6: Blues Progressions, Song
- Page 244: Chapter 6: Blues Progressions, Song
- Page 248: Chapter 6: Blues Progressions, Song
- Page 252: Chapter 6: Blues Progressions, Song
- Page 258: Track 25 Shuffle (qr=qce) A5 A6 A5
- Page 262: 114 Part II: Setting Up to Play the
- Page 266: Figure 6-15: A two-bar turnaround w
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- Page 274: 120 Part II: Setting Up to Play the
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- Page 282: Track 32, 0:00 Figure 7-4: An eight
- Page 286: The 5-6 riff is a blues-rhythm hall
- Page 290: Track 34 Shuffle (qr=qce) A 3 T A B
- Page 294: Intro, turnaround, and ending riffs
- Page 298: If the double strikes in the bass g
- Page 302: Track 37, 0:33 Figure 7-19: A low-n
Track 24<br />
(qr=qce)<br />
G G6<br />
G<br />
G6<br />
C<br />
C6<br />
C<br />
C6<br />
G<br />
G6<br />
G<br />
G6<br />
32 4<br />
3 2 4<br />
32 4<br />
3 2 4<br />
32 1<br />
3 2 1<br />
32 1<br />
3 2 1<br />
32 4<br />
3 2 4<br />
32 4<br />
3 2 4<br />
T<br />
A<br />
B<br />
3 3 3 3 3 3 3 3<br />
0 0 0 0<br />
0 0 2 2 0 0 2 2<br />
2 2 2 2<br />
3 3 3 3 3 3 3 3<br />
1 1 1 1 1 1 1 1<br />
0 0 2 2 0 0 2 2<br />
2 2 2 2<br />
3 3 3 3 3 3 3 3<br />
3 3 3 3 3 3 3 3<br />
0 0 0 0<br />
0 0 2 2 0 0 2 2<br />
2 2 2 2<br />
3 3 3 3 3 3 3 3<br />
G<br />
G6<br />
G<br />
G6<br />
C<br />
C6<br />
C<br />
C6<br />
C<br />
C6<br />
C<br />
C6<br />
32 4<br />
3 2 4<br />
32 4<br />
3 2 4<br />
32 1<br />
3 2 1<br />
32 1<br />
3 2 1<br />
32 1<br />
3 2 1<br />
32 1<br />
3 2 1<br />
3 3 3 3 3 3 3 3<br />
0 0 0 0<br />
0 0 2 2 0 0 2 2<br />
2 2 2 2<br />
3 3 3 3 3 3 3 3<br />
1 1 1 1 1 1 1 1<br />
0 0 2 2 0 0 2 2<br />
2 2 2 2<br />
3 3 3 3 3 3 3 3<br />
1 1 1 1 1 1 1 1<br />
0 0 2 2 0 0 2 2<br />
2 2 2 2<br />
3 3 3 3 3 3 3 3<br />
G<br />
G6<br />
G<br />
G6<br />
G<br />
G6<br />
G<br />
G6<br />
D<br />
D6<br />
D<br />
D6<br />
32 4<br />
3 2 4<br />
32 4<br />
3 2 4<br />
32 4<br />
3 2 4<br />
32 4<br />
3 2 4<br />
132<br />
432<br />
132<br />
43 2<br />
Figure 6-9:<br />
The Jimmy<br />
Reed move<br />
in G.<br />
3 3 3 3 3 3 3 3<br />
0 0 0 0<br />
0 0 2 2 0 0 2 2<br />
2 2 2 2<br />
3 3 3 3 3 3 3 3<br />
3 3 3 3 3 3 3 3<br />
0 0 0 0<br />
0 0 2 2 0 0 2 2<br />
2 2 2 2<br />
3 3 3 3 3 3 3 3<br />
110 Part II: Setting Up to Play the Blues TEAM LinG<br />
2 2 2 2 2 2 2 2<br />
3 3 3 3 3 3 3 3<br />
2 2 4 4 2 2 4 4<br />
0 0 0 0 0 0 0 0<br />
(continued)
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