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Chapter 6: Blues Progressions, Song Forms, and Moves 107 Some examples of well-known songs in a straight-four include “Roll Over Beethoven,” “Johnny B. Goode,” and Albert King’s “Crosscut Saw.” Figure 6-7 shows a straight-four progression in A with a variation on the 5-to-6 move (also called the Jimmy Reed, covered in the next section). This variation has the moving voice occasionally going up to the flat seven. (G in the A chord, C in the D chord, and D in the E chord.) Track 22 A5 A6 A5 A6 D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A7 A6 P.M. (throughout) T A B 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 D5 D6 D5 D6 D5 D6 D7 D6 A5 A6 A5 A6 A5 A6 A7 A6 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 Figure 6-7: A straightfour progression with a variation. E E 6 E 7 E 6 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 D5 D6 D7 D6 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 A5 A6 A5 A6 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 E5 E6 E5 E6 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 TEAM LinG

Chapter 6: Blues Progressions, Song Forms, and Moves<br />

107<br />

Some examples of well-known songs in a straight-four include “Roll Over<br />

Beethoven,” “Johnny B. Goode,” and Albert King’s “Crosscut Saw.” Figure 6-7<br />

shows a straight-four progression in A with a variation on the 5-to-6 move<br />

(also called the Jimmy Reed, covered in the next section). This variation has<br />

the moving voice occasionally going up to the flat seven. (G in the A chord, C<br />

in the D chord, and D in the E chord.)<br />

Track 22<br />

A5 A6 A5 A6<br />

D5 D6 D5 D6<br />

A5 A6 A5 A6<br />

A5 A6 A7 A6<br />

P.M. (throughout)<br />

T<br />

A<br />

B<br />

2 2 4 4 2 2 4 4<br />

0 0 0 0 0 0 0 0<br />

2 2 4 4 2 2 4 4<br />

0 0 0 0 0 0 0 0<br />

2 2 4 4 2 2 4 4<br />

0 0 0 0 0 0 0 0<br />

2 2 4 4 5 5 4 4<br />

0 0 0 0 0 0 0 0<br />

D5 D6 D5 D6<br />

D5 D6 D7 D6<br />

A5 A6 A5 A6<br />

A5 A6 A7 A6<br />

2 2 4 4 2 2 4 4<br />

0 0 0 0 0 0 0 0<br />

2 2 4 4 5 5 4 4<br />

0 0 0 0 0 0 0 0<br />

2 2 4 4 2 2 4 4<br />

0 0 0 0 0 0 0 0<br />

2 2 4 4 5 5 4 4<br />

0 0 0 0 0 0 0 0<br />

Figure 6-7:<br />

A straightfour<br />

progression<br />

with a<br />

variation.<br />

E E 6 E 7 E 6<br />

2 2 4 4 5 5 4 4<br />

0 0 0 0 0 0 0 0<br />

D5 D6 D7 D6<br />

2 2 4 4 5 5 4 4<br />

0 0 0 0 0 0 0 0<br />

A5 A6 A5 A6<br />

2 2 4 4 2 2 4 4<br />

0 0 0 0 0 0 0 0<br />

E5 E6 E5 E6<br />

2 2 4 4 2 2 4 4<br />

0 0 0 0 0 0 0 0<br />

TEAM LinG

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