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Chapter 6: Blues Progressions, Song Forms, and Moves 107 Some examples of well-known songs in a straight-four include “Roll Over Beethoven,” “Johnny B. Goode,” and Albert King’s “Crosscut Saw.” Figure 6-7 shows a straight-four progression in A with a variation on the 5-to-6 move (also called the Jimmy Reed, covered in the next section). This variation has the moving voice occasionally going up to the flat seven. (G in the A chord, C in the D chord, and D in the E chord.) Track 22 A5 A6 A5 A6 D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A7 A6 P.M. (throughout) T A B 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 D5 D6 D5 D6 D5 D6 D7 D6 A5 A6 A5 A6 A5 A6 A7 A6 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 Figure 6-7: A straightfour progression with a variation. E E 6 E 7 E 6 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 D5 D6 D7 D6 2 2 4 4 5 5 4 4 0 0 0 0 0 0 0 0 A5 A6 A5 A6 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 E5 E6 E5 E6 2 2 4 4 2 2 4 4 0 0 0 0 0 0 0 0 TEAM LinG
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- Page 250: 108 Part II: Setting Up to Play the
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Chapter 6: Blues Progressions, Song Forms, and Moves<br />
107<br />
Some examples of well-known songs in a straight-four include “Roll Over<br />
Beethoven,” “Johnny B. Goode,” and Albert King’s “Crosscut Saw.” Figure 6-7<br />
shows a straight-four progression in A with a variation on the 5-to-6 move<br />
(also called the Jimmy Reed, covered in the next section). This variation has<br />
the moving voice occasionally going up to the flat seven. (G in the A chord, C<br />
in the D chord, and D in the E chord.)<br />
Track 22<br />
A5 A6 A5 A6<br />
D5 D6 D5 D6<br />
A5 A6 A5 A6<br />
A5 A6 A7 A6<br />
P.M. (throughout)<br />
T<br />
A<br />
B<br />
2 2 4 4 2 2 4 4<br />
0 0 0 0 0 0 0 0<br />
2 2 4 4 2 2 4 4<br />
0 0 0 0 0 0 0 0<br />
2 2 4 4 2 2 4 4<br />
0 0 0 0 0 0 0 0<br />
2 2 4 4 5 5 4 4<br />
0 0 0 0 0 0 0 0<br />
D5 D6 D5 D6<br />
D5 D6 D7 D6<br />
A5 A6 A5 A6<br />
A5 A6 A7 A6<br />
2 2 4 4 2 2 4 4<br />
0 0 0 0 0 0 0 0<br />
2 2 4 4 5 5 4 4<br />
0 0 0 0 0 0 0 0<br />
2 2 4 4 2 2 4 4<br />
0 0 0 0 0 0 0 0<br />
2 2 4 4 5 5 4 4<br />
0 0 0 0 0 0 0 0<br />
Figure 6-7:<br />
A straightfour<br />
progression<br />
with a<br />
variation.<br />
E E 6 E 7 E 6<br />
2 2 4 4 5 5 4 4<br />
0 0 0 0 0 0 0 0<br />
D5 D6 D7 D6<br />
2 2 4 4 5 5 4 4<br />
0 0 0 0 0 0 0 0<br />
A5 A6 A5 A6<br />
2 2 4 4 2 2 4 4<br />
0 0 0 0 0 0 0 0<br />
E5 E6 E5 E6<br />
2 2 4 4 2 2 4 4<br />
0 0 0 0 0 0 0 0<br />
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