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Chapter 6: Blues Progressions, Song Forms, and Moves 105 (continued) N. C. B9 A9 6fr. 4fr. 1324 1324 N. C. B9 A9 6fr. 4fr. 1324 1324 7 6 6 6 6 6 4 4 4 4 7 6 6 6 6 0 0 6 4 4 4 4 7 6 6 6 6 6 4 4 4 4 7 6 6 6 6 0 0 6 4 4 4 4 N. C. F 9 133 3 8fr. E9 133 3 6fr. N.C. E9 133 3 6fr. D9 1333 4fr. 0 0 9 7 7 7 7 9 7 7 7 7 9 7 7 7 7 8 6 6 6 6 7 5 5 5 5 7 5 5 5 5 7 5 5 5 5 0 0 6 4 4 4 4 N. C. B9 A9 6fr. 4fr. 132 4 132 4 N. C. B9 A9 6fr. 4fr. 132 4 1324 7 6 6 6 6 6 4 4 4 4 7 6 6 6 6 0 0 6 4 4 4 4 7 6 6 6 6 6 4 4 4 4 7 6 6 6 6 0 0 6 4 4 4 4 TEAM LinG
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TEAM LinG
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Blues Guitar FOR DUMmIES‰ by Jon
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About the Author Jon Chappell is a
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Contents at a Glance Introduction .
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Table of Contents Introduction.....
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Table of Contents ix Playing E-base
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Table of Contents xi Five Positions
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Table of Contents xiii 21st-Century
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Table of Contents xv Muddy Waters (
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Introduction As B.B. King might say
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Introduction 3 Right hand and left
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Introduction 5 discover the acousti
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Part I You Got a Right to Play the
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Chapter 1 Every Day I Have the Blue
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Chapter 1: Every Day I Have the Blu
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Chapter 2 Blues Meets Guitar: A Mat
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Chapter 2: Blues Meets Guitar: A Ma
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Chapter 3 Grab Hold, Tune Up, Play
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Chapter 3: Grab Hold, Tune Up, Play
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Part II Setting Up to Play the Blue
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Chapter 4 Getting a Grip on Left-Ha
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Chapter 4: Getting a Grip on Left-H
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Chapter 5 Positioning the Right Han
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Chapter 5: Positioning the Right Ha
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Page 228: Chapter 6 Blues Progressions, Song
Page 232: Chapter 6: Blues Progressions, Song
Page 246: The 8-bar blues The 8-bar blues is
Page 250: 108 Part II: Setting Up to Play the
Page 254: Track 24 (qr=qce) G G6 G G6 C C6 C
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Page 266: Figure 6-15: A two-bar turnaround w
Page 282: Track 32, 0:00 Figure 7-4: An eight
Page 286: The 5-6 riff is a blues-rhythm hall
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Intro, turnaround, and ending riffs
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If the double strikes in the bass g
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Track 37, 0:33 Figure 7-19: A low-n
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136 Part II: Setting Up to Play the
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In this part . . . This part dives
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140 Part III: Beyond the Basics: Pl
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Figure 8-2 features two notes — t
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Track 45 Shuffle (qr=qce) E7 A7 E7
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Track 46 E7 A7 E7 T A B 0 0 0 0 3 2
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Track 47 Shuffle Figure 8-10: The m
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After you practice Figure 9-3 a bit
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8fr. Track 50, 0:12 Figure 9-6: A l
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phrase. Slides are covered in more
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Super blues star Buddy Guy is a mas
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Track 58, 0:00 Figure 10-6: Three t
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Track 59, 0:14 Figure 10-9: Pull-of
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Releasing right on time Letting go
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Track 63 Shuffle (qr=qce) A7 D7 5 7
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In this part . . . Part IV contains
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194 Part IV: Sounding Like the Mast
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Track 65 Shuffle (qr=qce) E7 3 A7 3
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Robert Johnson’s music embodied t
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Track 71 Shuffle (qr=qce) C G7 C Fi
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Open tunings favor the technical si
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Open D has the same relationships b
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Muddy Waters, leader of the pack Bo
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Shuffle (qr=qce) A7 Track 82 T A B
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Figure 12-8 shows an example of how
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Shuffle (qr=qce) A7 E7 Track 88 wit
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funk style into a true psychedelic
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Track 92 Am G 1 5 8 5 8 5 T 7 7 7 5
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The Allmans, especially brother Dua
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You can hear him trade red-hot blue
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Track 95 Shuffle (qr=qce) A * w/pic
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In this part . . . There’s more t
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256 Part V: Gearing Up: Outfitting
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1. Pull on the string, gently but f
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In this part . . . The Part of Tens
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318 Part VI: The Part of Tens Elmor
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320 Part VI: The Part of Tens TEAM
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326 Part VI: The Part of Tens Blues
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328 Part VI: The Part of Tens Maste
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In this part . . . The Appendixes p
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The Elements of Music Notation Figu
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334 Part VII: Appendixes TEAM LinG
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342 Part VII: Appendixes Using the
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350 Blues Guitar For Dummies TEAM L
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5. Limited Warranty. (a) WPI warran
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SPORTS, FITNESS, PARENTING, RELIGIO
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