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Chapter 6<br />

Blues Progressions, Song Forms,<br />

and Moves<br />

In This Chapter<br />

Distinguishing the primary key families and their chords<br />

Recognizing the structure of a blues song<br />

Playing the 12-bar blues<br />

Blues is a welcoming, beckoning music for both listener and performer<br />

that says, “Join in and start contributing!” The blues’ repetition and calland-response<br />

qualities — derived from its forebears, the work song and field<br />

holler — make it easy for people to join in a song on the fly. Musicians can<br />

grasp the form quickly, and listeners have an expectation that’s set up by<br />

each phrase, which is then satisfied by the lyrics or the chord progression.<br />

Best of all, these simple, infectious, and ingenious devices that make the<br />

blues so relatable are easy to understand and master, and are covered in<br />

this chapter.<br />

Blues by the Numbers<br />

You can learn music a lot quicker if you associate chords and keys by their<br />

numerical equivalents. In any key, the root or tonic (the tone that names the<br />

key or chord) becomes one, and subsequent pitches become two, three, four,<br />

and so on. These numbers are expressed in Roman numerals. So in the key of<br />

C, the numbers are broken down like this:<br />

C is I<br />

D is II<br />

E is III<br />

F is IV, and so on<br />

TEAM LinG

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